A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
The needy Gigi Haim is a young woman seeking her prince charming somewhere amongst her unsuccessful dates. After dating estate agent Conor Barry, Gigi anxiously expects to receive a phone call from him. However Conor never calls her. Gigi decides to go to the bar where he frequents to see him, but she meets his friend Alex who works there. They become friends and Alex helps Gigi to interpret the subtle signs given out by her dates. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the scene where Anna meets Ben at his office, the scene starts with daylight coming in through the office windows. At the end of the conversation, only darkness can be scene through the windows. See more »
Am I... will I be Al Pacino in this scenario?
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A limp ensemble relationship movie that feels like the frustrated venting of a bitter single girl after a blind date gone badly awry.
This is the kind of movie where a bunch of 20 and 30-somethings own beautiful loft apartments they couldn't possibly afford and struggle with relationship issues that are just boring to watch other people grapple with if you yourself are over the age of 30. Once again we're expected to accept Jennifer Aniston as a sad sack who can't get a date after she dumps the long-time boyfriend (Ben Affleck, playing not so much a character as a woman's fantasy made real) who won't commit to marriage. Ginnifer Goodwin is the doormat who can't figure out why guys won't call her even though they say they will. Justin Long is terribly miscast as a womanizer who doesn't know when he's fallen in love himself (I can't look at him without seeing the image of his dork from "Dodgeball" getting hit in the face with a wrench, which is not far from what I wanted to do to his character in this movie). Jennifer Connelly and Bradley Cooper are the lone married couple in the film, and because this is a Hollywood movie about relationships, of course the married couple MUST be miserable. Scarlett Johanssen is a bombshell with giant knockers that I couldn't take my eyes off of; Drew Barrymore might as well not be in the movie, and only is because a.) she co-produced it and b.) the filmmakers needed a forum in which to introduce a bunch of stock gay characters. You want to throttle pretty much everyone by the time the movie's over; I settled for thanking God I didn't have to be friends with any of them.
Though the film was only written by two people, it has the feeling of something written by committee. Characters aren't consistent or believable; those played by Goodwin and Connelly more often than not come across as mentally ill. In the world of this film, there are only two kinds of marriages: the ones that end in adultery and bitterness, or the ones that end in a ridiculously romanticized version of happily-ever-after. No wonder so many people have trouble making marriages work if they're using films like this as examples.
What a dud, and probably solid evidence that movies shouldn't be adapted from smug and jokey self-help books written by jackass talk show hosts.
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