Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
While wrestling with the pressures of life, love, and work in Manhattan, Carrie, Miranda, and Charlotte join Samantha for a trip to Abu Dhabi (United Arab Emirates), where Samantha's ex is filming a new movie.
Michael Patrick King
Sarah Jessica Parker,
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ... Written by
In an interview, Writer and Director Michael Patrick King admitted filming major outdoor scenes that were never meant to take place in the film, to throw the paparazzi off. Due to the presence of the paparazzi and media, several exterior scenes had to be filmed indoors. See more »
When the wedding guests wait for the bride and groom to arrive, Stanford wears different glasses than in later scenes. He may have changed his glasses while waiting, but that seems unlikely. See more »
Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
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Difficult to pull off TV move to big screen, but translation handled well by SATC.
Being a fan of the series for years, I had pretty high expectations for this film. I was not disappointed by what I saw, and most other SATC fans I've talked to agree with me.
The film jumps ahead 3 years in the characters' lives, and then intertwines the stories of the four women throughout the course of a year, as they each come to terms with the ending they found at the series' completion. I liked this approach, because it demonstrated the longevity (or lack thereof) of the happy endings the characters attained.
The girls are translated well into film--I didn't feel like any of the 4 was rewritten or misrepresented from her role on the show. The male counterparts were all present--Big, Steve, Harry, Smith, Stanford, etc. The movie doesn't spend as much time on them as they do the trials of the female characters, naturally, and no relationship is depicted as closely as Carrie and Big's.
I found the plot to be compelling and heartfelt and the female characters just as flawed and human and funny as they'd always been. And, of course, it wouldn't be SATC without the staples of designer bags and shoes, classic cocktails, and of course, a splash of nudity.
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