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Sex and the City (2008)

 -  Comedy | Drama | Romance  -  30 May 2008 (USA)
5.4
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Ratings: 5.4/10 from 87,482 users   Metascore: 53/100
Reviews: 467 user | 223 critic | 38 from Metacritic.com

A New York writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.

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Cast

Cast overview, first billed only:
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Joseph Pupo ...
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Storyline

After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ... Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

Get Carried Away.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

30 May 2008 (USA)  »

Also Known As:

Sex and the City: The Movie  »

Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

£8,767,265 (UK) (30 May 2008)

Gross:

$152,637,269 (USA) (12 September 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The main love letter referenced: Ludwig van Beethoven to his 'Immortal Beloved' / Letter 1 / Good morning, on July 7 // My thoughts go out to you, my Immortal Beloved / I can live only wholly with you or not at all - / Be calm my life, my all. Only by calm consideration of our existence can we achieve our purpose to live together. / Oh continue to love me, never misjudge the most faithful heart of your beloved. / Ever thine....Ever mine....Ever ours. See more »

Goofs

After the waiter in Mexico gives Charlotte her bottled water (and she wipes off the mouth of it), the next shot shows the bottle of water on his tray as he places another margarita on the table. See more »

Quotes

[first lines]
Carrie Bradshaw: [voiceover] Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
See more »

Connections

Spoofs The Addams Family (1964) See more »

Soundtracks

Click Flash
Written by Salaam Remi and Rico Love
Performed by Ciara
Produced by Salaamremi.Com
Vocal production by Rico Love for Division One
Mixed by Phil Tan
Ciara appears courtesy of LaFace Records, LLC c/o The Zomba Label Group
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Sex and the City film adaptation insults HBO series of same name
19 December 2013 | by (United States) – See all my reviews

'Sex and the City,' based on the hilarious, poignant HBO comedy series of the same name, is grossly insulting. In a strong divorce from the series, the movie picks up five years after the series finale - where we find out that each one of the characters have become vapid, soulless versions of their former selves. Now, writer Carrie Bradshaw (Sarah Jessica Parker), and her friends Miranda Hobbes (Cynthia Nixon), Samantha Jones (Kim Cattrall), and Charlotte Goldenblatt (Kristen Davis) walk around New York obsessing over shoes, handbags, and love.

Carrie Bradshaw was, at the end of the show, an independent woman - not the needy girl she started out as. The movie turns it's back on Carrie's development as a character, shaping her into the stock romcom lead. Think Katherine Heigl with no charm. She is now painfully unfunny, shallow, and quite possibly retarded. She spends the first half the film setting herself up to have the man whom supposedly loves her jilt her - which he does. The second half of the film, Carrie spends complaining about literally everything, dying her hair brown, and discussing bags and love with a painfully useless, annoying Jennifer Hudson, as Carrie's new assistant Louise from Saint Louis.

CARRIE: "Louise from Saint Louis. Oh you brought me back to life." LOUISE: "And you gave me, Louise Vuitton."

Yes the writer of "The Real Me" and "A Woman's Right To Shoes" actually wrote this garbage.

Lawyer Miranda is now a frigid shrew who swats her deadbeat husband away like a fly every time he tries to get near her - and spends the entire 2.5 hours complaining about how marriage changed her, it made her move to Brooklyn. She is no longer likable, funny, or smart.

Meanwhile, housewife Charlotte spends the 2.5 hours prancing around like a little girl, screaming at the top of her lungs, and carrying her confused, Asian daughter around like a dog in a handbag. The problem with continuing Charlotte's storyline on the show is her storyline came to the only logical conclusion it could have had at the end of the show. Now, it' just a retread through old territory. Davis is ultimately given a thankless role in this film.

However, it is Samantha who is given the most honest adaptation. While certainly a cartoon version of her former self, Samantha's story revolves around her inability to maintain a monogamous relationship - despite being very much in love. However the payoff is ultimately ruined as Samantha is no longer human.

This incarnation of 'Sex' is so incredibly shallow - it basically acts a prop to advertise luxury goods. The most obvious scenes to illustrate this are when Carrie tries on designer wedding dresses for a Vogue shoot, which goes on for an excruciating 10 minutes, followed closely by Carrie and co. going through her closet trying to decide what to take to her new apartment with husband-to-be Big (Chris Noth). The scene is ultimately pointless as she is moving to a closet that is 10 times to the size - which, if you can imagine it - is actually a plot point in a film that will make you feel compelled to throw out every designer label you own. The show was about the importance of following your own trajectory, and self actualization. The film abandons this concept.


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Message Boards

Recent Posts
So many things bother me about this film... neithie-953-118310
big HAD his 2 weddings, so shouldve shut up already randydidit
I blame Charlotte for the jilt, not Miranda... sweep24m
Area Code kclaura2003
why did miranda forgive steve? chand891
What Big did at the wedding... mandy022787
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