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Sex and the City (2008)

A New York writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
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2 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joseph Pupo ...
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Storyline

After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ... Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

Get Carried Away.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Language:

Release Date:

30 May 2008 (USA)  »

Also Known As:

Sex and the City: The Movie  »

Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

£8,767,265 (UK) (30 May 2008)

Gross:

$152,637,269 (USA) (12 September 2008)
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Company Credits

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Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During the scene where Carrie and the girls are going through all her clothes and Carrie flips through a handful of old record albums, the album in the purple sleeve seen so prominently is Duran Duran's 1982 album "Rio". See more »

Goofs

When Carrie reads the poets-letters to Big,she puts her glasses in her forehead to ask him if he had ever written her a love letter. In the next scene the glasses have changed position and they are on the top of her head. See more »

Quotes

[first lines]
Carrie Bradshaw: [voiceover] Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
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Connections

Referenced in Saturday Night Live: Steve Carell/Usher (2008) See more »

Soundtracks

Labels or Love
Written by Salaam Remi and Rico Love
Performed by Fergie
Produced by Salaamremi.com
Vocal production by Rico Love for Division One
Mixed by Phil Tan
Contains an interpolation of the "Sex and the City Theme" by Douglas J. Cuomo (as Douglas Cuomo)
Fergie appears courtesy of Will.I.Am / A&M / Interscope Records
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Frequently Asked Questions

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User Reviews

 
From the Ministry of Silly Movies
12 October 2008 | by (Florida, USA) – See all my reviews

Cute enough for an evening's mindless entertainment, but exactly that and not a penny more. Put aside any thought you might have about not caring a great deal about what happens to a group of rich, superficial white women who (you are told) are actually very smart and talented but who (you are shown) are silly twits (not to use a different vowel) whose exclusive joy in life comes from sex and shopping, and not in that order. I know, I know; we're supposed to believe this is all about love (and the search for same), but it isn't; love is secondary. We're supposed to believe it's about solidarity among a group of women friends and it is, but that's more-or-less an accident. It's really about consuming – clothes, purses, shoes – and other human beings. The introduction of Jennifer Hudson (who tries really hard not to be appalled by the level of minstrel-show tokenism her presence represents) as Carrie's personal assistant is so painful and so blatant an attempt to give a tiny bit of color to the TV series' snow-blinding whiteness that you can't help but be embarrassed for absolutely everyone. Here's another film in which women are stand-ins for what is essentially a gay-male fantasy about women (an art form that George Cukor pioneered in 1939 with _The Women_) Take your brain out and store it in Tupperware for the evening; _Sex and the City_ will make you smile, but not laugh out loud. If you spend a minute thinking about it, though, all it's going to do is make you mad.


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