It's been a year since The Master unleashed the mysterious Toclafane onto Earth. With the human race and The Doctor enslaved under The Master's control, Martha Jones is the only person that can help stop the evil Time Lord.
Martha Jones secretly returns to England. It's been a year since the Master took over the Earth and launched the invasion. Humans are now a captive race and the Toclafane are building a fleet of rockets they will use to attack other worlds. The Master takes great pleasure in humiliating the Doctor and has Martha's family doing menial chores. Martha has a plan however and all she has to do in get in to see the Master. When she learns of the origin of the Toclafane, she realizes the paradox they have created. Written by
The mysterious woman's hand with the red nails which picks up the ring in the final scene actually belongs to Production Manager Tracie Simpson. See more »
When the Master is about to execute Martha on the Valiant he remarks that her death will be his "first blood." But just as he captured Martha the night before, Thomas Milligan ran into the street to save her and the Master killed him with his Laser Screwdriver. So even if you don't count the Master's killing of Jack in Doctor Who: The Sound of Drums, Thomas Milligan would be his first blood.
The Master has actually killed many people in the past (e.g. the entire cabinet in the The Sound of Drums), but this is not a goof because when the Master says "first blood", he is most likely referring to first blood of the invasion. This is why he wants to kill Martha when the countdown reaches zero - the official start of the invasion. See more »
Tomorrow they launch. We're opening up a rift in the Bracatolian Space. Won't see us coming. Be kind of scary.
Once the Empire is established and there's a new Gallifrey in the heavens, maybe then it stops. The drumming. The never-ending drumbeat.
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Credit at the end of "Last of the Time Lords": "Doctor Who will return at Christmas in Voyage of the Damned" See more »
"Last of the Time Lords" is another poorly plotted, overly sentimental, corny-looking episode of the new Doctor Who that is destined to be hailed as a masterpiece by enthusiastic fans.
Alas, I must remain in the long-suffering minority on the issue of this weird revival. I was willing to be open-minded about the new Who, but episodes like this have pretty much finished me off as a viewer. Bluntly, I think Russell T. Davies is a horrible writer of science fiction - he constantly recycles plot elements, he clearly understands nothing of real science, and he resolves all of his stories with patently ludicrous deus ex machina endings. This story, in particular, features one of the most laughably unconvincing resolutions in the history of filmed entertainment.
His "emotional" writing is way off, too. Much of the new Doctor Who is dedicated to sarcastic mocking of contemporary culture; it comes across as quite cynical and cranky. And yet, the series also veers into laughably unsubtle sentimental territory, as characters weep and wail and declare their feelings in clunky, totally artificial lines of dialog that should ring false to anyone who has ever watched and appreciated quality drama. Anyway, the guy can't really have his cake and eat it too in this regard: he can't make the show both bitterly cynical and ridiculously sentimental. The clash of tones is dissonant and annoying.
Oh, and the show is still cheap, too. The depiction of post-conquest Earth in this story was corny and utterly unconvincing. If it wasn't for a few modern CGI shots, I might've thought I was watching a 1983 BBC production instead of a 2007 one.
In short, it was junk. The older I get, it seems, the less interest I have in these childish, technology-obsessed science fiction properties. So is anybody up for watching "Floating Weeds" instead? Now there's a production that can make you cry without resorting to cheap dramatics, ham acting, and a bad special effects apocalypse.
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