A teenage boy, troubled and alone wanders the grassy hills looking for something. He settles on a slope and searches for some activity to amuse him. He begins to pick pieces of his body off... See full summary »
Captain Nemo goes even deeper into insanity in this mesmerizing fantasy tale. Once again at the helm of his fearsome, wildly advanced vessel, the nautical madman endeavors to turn the world above the waves upside down.
As Trevor drifts through Texas on collision course with a nightmare he is still haunted by the evils of the war he recently returned from and a promise he failed to keep. When a stranger ... See full summary »
C. Thomas Howell,
Joey suspects his girlfriend of two years, Jennifer, is cheating on him. He is so convinced that he enlists the help of his cousin Steven to create a Video Diary of his attempt to catch her... See full summary »
James Cullen Bressack
James Cullen Bressack
A horrifying tale of revenge that begins with a back-alley abortion, and ends with a bloodbath so vicious that it brings a new meaning to 'an eye for eye.' From pimps to dealers and hookers... See full summary »
After a night of partying, four friends are kidnapped by a mysterious man. The friends wake up in a basement, and realize they are part of something horrifying. A human breeding farm. They are to be milked, bred, and much, much worse.
Director's commentary from the Sundance Film Festival Site
Below is the Director's note as posted to Sundance and other film festivals as part of the film's info pack. I thought that it was insightful. ----
"Pledge of Allegiance: American Torture Room" is a powerful statement against our country's recent abuse of human rights and a warning to the American people that as our nation's stake in world domination grows larger, the freedoms that we take for granted are quickly eroded in the name of the government maintaining authority. It's politics are frightening and raw. And so I tried to present these observations in a rich and uncomfortable way, bridging the film between political thriller and reality terror, as if Michael Moore had made a horror film with Quentin Tarentino and 60 minutes. The inspiration for much of the film was based on news reports, television specials and uncovered secret torture practices that I learned about over the past few years. I either had to run for office, or I had to make a film. So, like Passolini, I made a film.
The most difficult thing about the making of this movie was the saleability of the final product. We showed the first versions of the script to producers and distributors alike. A lot of big people in the industry loved it, some because of it's politics and others because it wasn't afraid to present the prison and the brainwashing in a gritty and never before seen way (the original script had far more brutal torments than the final film). Also, originally is was to be shot as secret news reel footage. But, the advisors that we had recommended this and that and the final film was altered to be a more narrative, almost genre style film. Some may even call it a horror because it is so horrible. And maybe that's what today's film market demands, an easy to identify film that can slip comfortably into a category for quick sale. But that was not my original intention and I think that this film transcends the genre that the marketplace would like to put it in.
I have to thank my wife Karen who produced this film and also the brilliant efforts of our lead actress, Lena Bookall who did a stunning job. Also, John Forgeham deserve thanks for his performance as the master brainwasher, Mr. Green. John came to us from England (he is a huge star there from his work in "Footballers Wives")and John so loved the film that he did the role for a thousandth of what he usually gets to star in a picture. In fact, so many people came to me during the production of this film asking to be a part of it because they believe in it's message.
It is the most meaningful picture that I have worked on. I hope that it goes a long way."
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