After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
After Davey's father is killed in a hold-up, she and her mother and younger brother visit relatives in New Mexico. Here Davey is befriended by a young man who helps her find the strength to carry on and conquer her fears.
Amy Jo Johnson,
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in the Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was the sweetheart of Charlie when she lived there and neither him nor his crew show respect to her. Charlie invites David to hunt deers with his group and him but they leave David alone in the woods and rape Amy. She does not tell to David what happened but when the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles that likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The famous quote "I will not allow violence against this house" is not in the version shown in theaters. See more »
The two registration stickers on David's Jaguar E-Type's rear California license plate at first appear on the bottom corners of the plate (which is in itself a goof) but in later shots appear on the upper corners as is correct for California license plates. See more »
As a fan of Alexander Skarsgård, I really tried to like the movie - but I just couldn't. If the hushed nature of the theater crowed leaving at the end is any indication - they felt the same way. I feel the cast did well with what they had, but the script was lacking in too many ways. Where the 1971 version had tension and excitement, the 2011 version was often boring and all over the place. I often felt like it was Texas Chainsaw Massacre decided to have a get together with Deliverance and Sweet Home Alabama. The whole thing just felt awkward and thrown together. There were only a handful of scenes where the movie actually had my attention - but they were few and far apart and short lived. There were even moments that were so awkward they were actually uncomfortable. I expected so much more with such a classic movie base and wonderful cast - but ultimately it was disappointing.
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