After Davey's father is killed in a hold-up, she and her mother and younger brother visit relatives in New Mexico. Here Davey is befriended by a young man who helps her find the strength to carry on and conquer her fears.
Amy Jo Johnson,
Writer-Director Bernardo Gigliotti's Ordinary Madness is a Hitchcock-like thriller set in Los Angeles. Bobby Lang is a handsome young drifter who moves to Los Angeles to start a new life. ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
Three childhood friends set aside their personal issues and reunite for a girls' weekend on a remote island off the coast of Maine. One wrong move turns their weekend getaway into a deadly fight for survival.
Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in the Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was the sweetheart of Charlie when she lived there and neither him nor his crew show respect to her. Charlie invites David to hunt deers with his group and him but they leave David alone in the woods and rape Amy. She does not tell to David what happened but when the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles that likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
An embarrassing attempted 'remake' of a great piece of film making, by a cast and crew who evidently have no idea what the original was all about.
Peckinpah's original raised questions - you left the theater feeling awkward, self-conscious, asking the same question the lead character was asking himself - 'how do I find my way home now?' This pseudo-remake leaves you wondering, "Is it over yet? Why did I waste money on this? Won't this be show up on DVD soon?"
Because that's all it is, a poorly made routine B movie - part domestic melodrama, part crime shocker, aimed at the DVD market.
Wholly forgettable, with blasé cinematography, second rate photography
See the original - a strange, uncomfortable and difficult but insightful film that holds its own after 4 decades.
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