Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in the Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was the sweetheart of Charlie when she lived there and neither him nor his crew show respect to her. Charlie invites David to hunt deers with his group and him but they leave David alone in the woods and rape Amy. She does not tell to David what happened but when the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles that likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The book that David has next to him on the kitchen table when he is working early in the movie is 'Stalingrad' by Anthony Beevor. See more »
In one scene, Amy erases the "3" in the date on David's chalkboard and replaces it with a "4". In a later scene with Charlie, you can see that the "4" that Amy wrote earlier is now written in a different style. See more »
Baby. You don't have to learn chess to please me.
I'm not learning chess to please you, baby. I'm learning so I can kick your *ass*.
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If you're going to remake a nearly perfect movie, don't botch it!
This remake has no reason to exist. It is shallow and poorly acted and lacks most of the tense emotions and moral questions raised by the original. Hollywood at its worst, cellophane-wrapped, uninspired, made-for-TV quality, cookie cutter remake. Of course, it is padded with clichés, cheap effects and mass-appeal frosting to bring out brain-dead teen movie goers. Why did a great actor like James Wood let himself get suckered into this disaster? This could have been an so-so B-action movie but trying to cash in on the status of Sam Peckinpah's cult classic is a really cheap move. It also forces me to give it a 1-star rating rather than a 4 to 5 rating it could have earned if it didn't ask to be compared with the former.
If you consider watching this movie, please rent the original instead. It is still as intense as it was in 1971 and actually raises a lot of disturbing questions. A true classic.
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