Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in the Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was the sweetheart of Charlie when she lived there and neither him nor his crew show respect to her. Charlie invites David to hunt deers with his group and him but they leave David alone in the woods and rape Amy. She does not tell to David what happened but when the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles that likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Released in the UK almost 40 years to the day of the original 1971 version, which came out November 3 1971. See more »
After David runs into Jeremy with Amy's car, he was shown standing with his right arm outstretched parallel to the ground with a compound fracture of the upper arm, complete with the upper part of the bone protruding through his skin. A person with this kind of injury would not be able to hold their arm out that way since there would be no structural support from the upper arm; the arm would angle downward from near the point of fracture. See more »
Sam Peckinpah's "Straw Dogs" remains a most disturbing, morally ambiguous confrontation between the brute code of uneducated farmboys with the complex attempts at rationalization by a sophisticated, neurotic, hyper-educated urban college professor attempting to escape the responsibilities of living in an increasingly complex world. It is also a magnificently constructed motion picture, elegantly photographed, brilliantly edited, hauntingly scored, with powerhouse performances from every actor.
This wholly unnecessary remake on the other hand is amateurish swill - banal photography, drama-class acting (and why not? all the characters have been reduced to caricature), and soap-opera rewriting. It's basically a television movie with some sex and violence thrown in for the fan-boy crowd. It's even got the requisite car-chases, and supposedly pointed dialog about adultery and motivations, blah blah blah.
Graceless, visually dull, with no sympathetic characters, but a lotta boom! crash! foe those who think loud noises and pyrotechnics make up for lack of intelligence and imagination.
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