L.A. screenwriter David Sumner relocates with his wife to her hometown in the deep South. There, while tensions build between them, a brewing conflict with locals becomes a threat to them both.
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After Davey's father is killed in a hold-up, she and her mother and younger brother visit relatives in New Mexico. Here Davey is befriended by a young man who helps her find the strength to carry on and conquer her fears.
Director:
Lawrence Blume
Stars:
Willa Holland,
Amy Jo Johnson,
Tatanka Means
A quirky, moving and very funny tale of two friends that set out on a heroic trip to the North Pole only to discover that before they can become heroes, they must first become men.
Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in the Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was the sweetheart of Charlie when she lived there and neither him nor his crew show respect to her. Charlie invites David to hunt deers with his group and him but they leave David alone in the woods and rape Amy. She does not tell to David what happened but when the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles that likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The book that David has next to him on the kitchen table when he is working early in the movie is 'Stalingrad' by Anthony Beevor. See more »
Goofs
In one scene, Amy erases the "3" in the date on David's chalkboard and replaces it with a "4". In a later scene with Charlie, you can see that the "4" that Amy wrote earlier is now written in a different style. See more »
Quotes
Charlie:
[first lines... as Norm takes butchering saw to still live deer]
Norm. What are you doing, man? Geez.
See more »
An embarrassing attempted 'remake' of a great piece of film making, by a cast and crew who evidently have no idea what the original was all about.
Peckinpah's original raised questions - you left the theater feeling awkward, self-conscious, asking the same question the lead character was asking himself - 'how do I find my way home now?' This pseudo-remake leaves you wondering, "Is it over yet? Why did I waste money on this? Won't this be show up on DVD soon?"
Because that's all it is, a poorly made routine B movie - part domestic melodrama, part crime shocker, aimed at the DVD market.
Wholly forgettable, with blasé cinematography, second rate photography
utterly forgetful.
See the original - a strange, uncomfortable and difficult but insightful film that holds its own after 4 decades.
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An embarrassing attempted 'remake' of a great piece of film making, by a cast and crew who evidently have no idea what the original was all about.
Peckinpah's original raised questions - you left the theater feeling awkward, self-conscious, asking the same question the lead character was asking himself - 'how do I find my way home now?' This pseudo-remake leaves you wondering, "Is it over yet? Why did I waste money on this? Won't this be show up on DVD soon?"
Because that's all it is, a poorly made routine B movie - part domestic melodrama, part crime shocker, aimed at the DVD market.
Wholly forgettable, with blasé cinematography, second rate photography
See the original - a strange, uncomfortable and difficult but insightful film that holds its own after 4 decades.