At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Rossiter's camera follows Crisp about the streets of Manhattan, where ... See full summary »
In addition to being a mainstay of the local lifeboat crew Norman has been the manager of the little pier theatre in his home seaside town for forty years ever since he was a youngster. In ... See full summary »
Roger Lloyd Pack,
With her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember.
Every relationship has an expiration date. Every relationship needs its fantasies...some more real than others... A violent death of a relative brings Wit and his wife, Dang, back to ... See full summary »
Following the success of his television biography 'The Naked Civil Servant' Quentin Crisp is invited to America to lecture on How To Be Happy, and falls in love with New York's more permissive ambiance. Agent Connie Clausen enables him to be a 'resident alien', writing film reviews and dispensing words of wisdom. Curious about but impervious to trends, he describes AIDS as a "fad, nothing more", actually to divert heterosexual anger but he is misinterpreted and reviled by many gays. A return to popularity occurs when he helps Patrick Angus, a young, AIDS-afflicted artist attain fame for his paintings and his healthy cynicism is marketed by performance artist Penny Arcade, putting him back in the limelight. Poor health causes him to refuse a lecture tour of England but he gives a triumphant final audience at a gay club in Tampa. A postscript informs that he died at the age of 91. Written by
don @ minifie-1
10 out of 10 simply for appearing on prime time ITV. Frankly, I'm astonished. Gays shown in a positive light but yet in all their complexity and diversity? How shocking!!
Quentin was a hero of sorts. The way this teleplay crafts a drama around his impressive one-liners is dazzaling. Not your usual mainstream fayre. No beginning/middle/end. Just a fabulous/ordinary life celebrated.
John Hurt's performance is first rate. He must have thought long and hard about the script before doing this project ---following as it does a triumphant original. All credit to him then, I loved it.
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