Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project (which has never been resurrected).
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
In the year 2000, the Hungarian river Tisza was flooded with tons of cyanide from an Australian-Romanian gold mine. Fishermen like Balazs Meszaros struggled to survive. In an effort to save... See full summary »
Joe Leahy is the half-caste son of one of the first explorers of the Papua New Guinean interior. His relations with the local Ganiga tribe who work his coffee plantation on their land are ... See full summary »
The story of "Ozploitation" movies - a time when Australian cinema showed an explosion of sex, violence, horror and action. Includes anecdotes, lessons in maverick filmmaking and a genuine love of Australian movies. It moves through Aussie genre cinema of the 70s and early 80s - claiming it's an unjustly forgotten cinematic era of boobs, pubes, tubes... and even a little kung fu. Written by
Thoroughly enjoyable - a few notes I made afterwards follow, including quotes from my wife First section of the movie covered how the new R-rating allowed an explosion in the Australian film industry. Specifically, as much nudity ( boobs, pubes, and tubes ) as the filmmakers could squeeze in...
"And here was me thinking Australian film in the 70s was prudish." On John Holmes rather, ah, prominent role in the doco - Australia's first exposure to him ( or possibly the other way around )
"Wouldn't his head implode when he got an erection?" and about paying to see the movies covered
"We're supporting the Australian film industry!"
"Given that quite a few of those movie were made to *lose* money...." The stories about the incredibly lax safety procedures at these flicks were pretty alarming. Take just one example from Mad Max ( where the head stuntman arrived on his first day with one limb already broken! ).
Do you recall the shot in that movie, from the motorcyclist's POV, where the bike is screaming along the highway and the odometer is hitting 180? The director got that shot by leaning over the motorcyclist's shoulder with a camera. Helmet? Hell no - protective equipment is for sane people.
Tarantino's excited fan-boy bouncing was amusing.
Regarding one of the very few movies they covered that I actually recall seeing ( I may well have seen more but have protected myself by blanking the memory ) - Razorback. I wonder if this movie is the reason my old D&D group would blithely deal with a pack of animated skeletons, but leg it for the nearest tree when an ordinary wild boar showed up? Also - The Return of Captain Invincible? Australia made a superhero musical? All I can say is that Australia made some amazingly bad movies, *that actually managed to get theatrical release*. Still, it made me miss the old days of drive-in cinema, even if the only one I recall seeing at such a cinema was Death Race 2000 ( the exploding baby scene - which I still find hugely funny).
If you have any interest in Australia's contribution to cinematic immortality, you have to see this documentary :D
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