Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project (which has never been resurrected).
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
In the year 2000, the Hungarian river Tisza was flooded with tons of cyanide from an Australian-Romanian gold mine. Fishermen like Balazs Meszaros struggled to survive. In an effort to save... See full summary »
Joe Leahy is the half-caste son of one of the first explorers of the Papua New Guinean interior. His relations with the local Ganiga tribe who work his coffee plantation on their land are ... See full summary »
The story of "Ozploitation" movies - a time when Australian cinema showed an explosion of sex, violence, horror and action. Includes anecdotes, lessons in maverick filmmaking and a genuine love of Australian movies. It moves through Aussie genre cinema of the 70s and early 80s - claiming it's an unjustly forgotten cinematic era of boobs, pubes, tubes... and even a little kung fu. Written by
Fantastic! A great documentary focusing on a long unsung faction of cult cinema known as Ozploitation. Tarantino features heavily as an expert of the genre. As an Australian, it's scary watching how a foreigner could have so much knowledge and enthusiasm for films that have been almost purposely forgotten in their own homeland.
Like any good documentary, it's a real eye opening experience to get an insight into the lost world of blood, bikers and boobs. The directors, actors and those influenced (Greg McLean (Wolf Creek/Rouge), James Wan and Leigh Whannell (Saw)) share the stories of a fledgling film industry that embraced a Guerrilla style of film-making that stuck it to the stuffy cinema elite that wished they would disappear.
An absolute must watch for anybody who thinks they're an expert on cult/trash cinema.
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