Yvon Rance, a born hairdresser and an elegant middle-aged man with a perfect toupee, reigns in his native Brittany over a clientèle of little old ladies. But his main reason for living, his... See full summary »
Nat drives on the interstate with his two young daughters in the back seats, when a car drives by and an unknown guy shoots one of his daughters dead for no reason. Nat's life is shattered.... See full summary »
Life smiles at Dino Fabrizzi,a cool forty-two-year old Italian. Not only is he the most successful salesman at The Maserati dealership in Nice but he has had a steady (and hot) relationship... See full summary »
Marius, 12, has not seen his father for years and he misses him badly. Marie, his mother, a workaholic firm manager, knows that she will never reconcile with her ex-husband. She must do ... See full summary »
JOHN, his wife EMILY, and their small son EDWARD leave the city for what they believe will be a brief foray to the countryside to claim John's inheritance - a small shack. They find ... See full summary »
Set in 1913, 1936 and 2001. When he returns to the casino and sea-side resort of his early adolescence, Louis, a seventy-eight-year-old man encounters Olivia, a nineteen-year-old girl madly... See full summary »
Modern Love is a slightly odd format of a film within a film, which some might find disturbing, or contrived. The sub-film: Modern Love features the ever excellent but sadly underutilized Alexandra Lamy (Marianne) gets off to a bad start with gallery director and Brad Pitt look alike Stéphane Rousseau (Vincent) but everything works out "just like in the movies" in the end. Highlights are Vincent's knight on white charger rescue of Lamy at the altar and the excellent duet sung in sign language - a classic piece of cinema.
In the real world things are not so easy as we followed the tangled lives of cute but boyish Bérénice Bejo (Elsa) Stéphane Debac (Jérôme), France's fairytale princess the Duchess of Savoy Clotilde Courau (Marie) who anglophones will probably know from Piaf and Pierre-François Martin-Laval (Eric). Eric is the author of the film within the film but is brutally dumped by Courau before a brief encounter with Bejo.
There is a funny sequence at a Party where Bejo meets Debac who is her ideal man (doesn't like football, good looking, sensitive, improbably lives on a boat in the center of Paris). It is obvious to the viewer that we are not in Kansas, Toto but Bejo manages to dig a deep hole. However in the end no-one in the "real world" really ends up happy.
All very gallic, in the end one wishes for more of the musical escapism of Lamy and Rousseau.
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