Vahé, Sahak, and Toros run a bonneteau game on the streets of Paris. They're Lebanese French of Armenian descent. Vahé also works with his father, a cloth merchant, and is in love with Lu ... See full summary »
There is something strange - some would even say abnormal - about the Malaussène family. But if you take a closer look, no one could be happier than this cheerfully chaotic family, even ... See full summary »
Guillaume de Tonquédec
PREY tells the story of Nathan (BEAU TRAVAIL'S Gregoire Colin) who is at a countryside retreat for a Fall family reunion that he expects to be particularly stormy. Claire, his wife, has to ... See full summary »
Set in 1913, 1936 and 2001. When he returns to the casino and sea-side resort of his early adolescence, Louis, a seventy-eight-year-old man encounters Olivia, a nineteen-year-old girl madly... See full summary »
Sebastian has one ambition in life: to do nothing. His horizon is his couch. His life he does not want to live but contemplate. But today, if you do nothing - You are nothing. So driven by ... See full summary »
Charlotte Le Bon,
José is looking for a way out of his small time banlieue deals. When he overhears a conversation between his girlfriend and her step-brother,he might just have found a very lucrative ... See full summary »
Modern Love is a slightly odd format of a film within a film, which some might find disturbing, or contrived. The sub-film: Modern Love features the ever excellent but sadly underutilized Alexandra Lamy (Marianne) gets off to a bad start with gallery director and Brad Pitt look alike Stéphane Rousseau (Vincent) but everything works out "just like in the movies" in the end. Highlights are Vincent's knight on white charger rescue of Lamy at the altar and the excellent duet sung in sign language - a classic piece of cinema.
In the real world things are not so easy as we followed the tangled lives of cute but boyish Bérénice Bejo (Elsa) Stéphane Debac (Jérôme), France's fairytale princess the Duchess of Savoy Clotilde Courau (Marie) who anglophones will probably know from Piaf and Pierre-François Martin-Laval (Eric). Eric is the author of the film within the film but is brutally dumped by Courau before a brief encounter with Bejo.
There is a funny sequence at a Party where Bejo meets Debac who is her ideal man (doesn't like football, good looking, sensitive, improbably lives on a boat in the center of Paris). It is obvious to the viewer that we are not in Kansas, Toto but Bejo manages to dig a deep hole. However in the end no-one in the "real world" really ends up happy.
All very gallic, in the end one wishes for more of the musical escapism of Lamy and Rousseau.
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