Yvon Rance, a born hairdresser and an elegant middle-aged man with a perfect toupee, reigns in his native Brittany over a clientèle of little old ladies. But his main reason for living, his... See full summary »
When a famous American film director, Rudolph Grichenberg, comes to Paris to cast a Yiddish version of 'The Merchant of Venice,' Maurice Kurtz and his friends try out for the role of ... See full summary »
A man is charged with murder. He is Pigoil, the aging stage manager at Chansonia, a music hall in a Paris faubourg. His confession is a long flashback to New Year's Eve, 1935, when he ... See full summary »
Nat drives on the interstate with his two young daughters in the back seats, when a car drives by and an unknown guy shoots one of his daughters dead for no reason. Nat's life is shattered.... See full summary »
When he receives a call from Bornsville sheriff, telling him Pamela Rose' coffin has been stolen, agent Douglas Riper sees a good occasion to meet again with his former partner Richard ... See full summary »
Michel, was born in Latin America, "on the other side of the world", as the script emphasizes, of a French father he hardly knew at all. He goes to Paris to start a new life. His only ... See full summary »
The mother of Louis, Philippe and Henri Delcroix has been taken to hospital. She is in alarming condition and might well die. The possible coming of death into their comfortable lives ... See full summary »
Modern Love is a slightly odd format of a film within a film, which some might find disturbing, or contrived. The sub-film: Modern Love features the ever excellent but sadly underutilized Alexandra Lamy (Marianne) gets off to a bad start with gallery director and Brad Pitt look alike Stéphane Rousseau (Vincent) but everything works out "just like in the movies" in the end. Highlights are Vincent's knight on white charger rescue of Lamy at the altar and the excellent duet sung in sign language - a classic piece of cinema.
In the real world things are not so easy as we followed the tangled lives of cute but boyish Bérénice Bejo (Elsa) Stéphane Debac (Jérôme), France's fairytale princess the Duchess of Savoy Clotilde Courau (Marie) who anglophones will probably know from Piaf and Pierre-François Martin-Laval (Eric). Eric is the author of the film within the film but is brutally dumped by Courau before a brief encounter with Bejo.
There is a funny sequence at a Party where Bejo meets Debac who is her ideal man (doesn't like football, good looking, sensitive, improbably lives on a boat in the center of Paris). It is obvious to the viewer that we are not in Kansas, Toto but Bejo manages to dig a deep hole. However in the end no-one in the "real world" really ends up happy.
All very gallic, in the end one wishes for more of the musical escapism of Lamy and Rousseau.
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