Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and ... See full summary »
In London, a mother and daughter navigate their respective romances: Madeline rekindles an affair from thirty years earlier, while her daughter Vera is caught between a musician who cannot commit and her ex, who still pines for her.
Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the ... See full summary »
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Ferdinando Cito Filomarino
As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.
Julie's boyfriend Ismaël lives with her; rather than worry about the time he spends with his colleague Alice, Julie invites Alice to join them. The three walk the streets of Paris, party, read, and sleep together. Sometimes it's lighthearted, sometimes there are jealousies. Then death strikes. In various ways, those left come to terms with the departure and absence of a loved one: showing concern, eating together, attempting new relationships, trying to "be there" for the other. Then, the spirit returns and new commitments are possible. The romantic elements of musical comedy play in contrast to the ambivalence of the lyrics and the story. Written by
A contemporary (timeless?) film about human relationships
How to put into words a film with this sensorial density? It's clearly not the simplest task. "Congratulations Christophe Honoré" could be a good approach, maybe the best.
As a Portuguese, a traditional nation in the "European standards", I may say that this film surpasses my bounds when speaking of, let's say, "relational experimentalism". Even so, I found it astoundingly beautiful and I guess that picking-up the gay issue would be to diminish a film about life and what we make of it in our nowadays living.
To have lived in France for over a year, eventually helped me out to remark some interesting French particularities in the characters.
I found the humor in this film to be typically French. There's a scene were Ismael is Wrapping a pillow making a baby of it, asking everybody in the room to remain silent not to wake up the child that had just gotten asleep. Then, unexpectedly, he throws the "baby" right out of the window as he gets tired of the staging. This kind of uncompromising performances, risking the ridiculous, were undoubtedly a "déjà vu" for me.
The music is also a key element in the film and gives it a Parisian melancholical aura. The music is often used by 2 or more characters in the form of a dialog where they show their feelings and points of view. As they sing, the scenes are incredible well filmed either outdoor, in the endless avenues of Paris, or indoor in the cosiness of a warm bed in a cold winter night. Sometimes I felt as I was one of the characters right in the scene.
The anguish, the indecision and above all, the solitude are the marking subjects in a film that exposes in a crude manner how individualistic the society is becoming in France, and why not, in Europe.
It's a contemporary (timeless?) film about human relationships. In my opinion, the antithesis of the blockbuster cinema: The extravagance is replaced by beauty, the free nudity is replaced by sensuality and the easy laugh is avoided. The dialogs are intelligent, complex and they have ambiguous interpretation.
At the end of the movie, a phrase synthesizes it all: "Love me less but for a long time".
To assume the compromise revoking the emotional hurricane brought by fleeting relations will bring peace, at last.
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