Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the ... See full summary »
In London, a mother and daughter navigate their respective romances: Madeline rekindles an affair from thirty years earlier, while her daughter Vera is caught between a musician who cannot commit and her ex, who still pines for her.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Ferdinando Cito Filomarino
As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.
Julie's boyfriend Ismaël lives with her; rather than worry about the time he spends with his colleague Alice, Julie invites Alice to join them. The three walk the streets of Paris, party, read, and sleep together. Sometimes it's lighthearted, sometimes there are jealousies. Then death strikes. In various ways, those left come to terms with the departure and absence of a loved one: showing concern, eating together, attempting new relationships, trying to "be there" for the other. Then, the spirit returns and new commitments are possible. The romantic elements of musical comedy play in contrast to the ambivalence of the lyrics and the story. Written by
I wonder why this gem of a film was released in secret, at least in the USA. I was literally dragged to see it by some friends - to whom I'll be eternally grateful. The film lives on its own with glances to the great Jacques Demy. Rains and umbrellas, songs and impossible love. Louis Garrel must be, by now, considered one of the greatest film presences of the new millennium. He is devastating and his relationship with the doomed Ludivine Sagnier has all the warmth and sexiness of the great romances. The entrance of the adorable Gregoire Leprince-Ruignet takes all our preconceptions and turns them around. This sensual coupling full of innocence has the power to seal a tragedy with love. I adored this movie and the makers should protest vigorously as the way the film was distributed in the United States.
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