IMDb > Glory to the Filmmaker! (2007)

Glory to the Filmmaker! (2007) More at IMDbPro »Kantoku · Banzai! (original title)


Overview

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Director:
Writer:
Takeshi Kitano (written by)
Contact:
View company contact information for Glory to the Filmmaker! on IMDbPro.
Release Date:
2 June 2007 (Japan) See more »
Genre:
Plot:
Takeshi Kitano plays a version of himself in which he's a struggling director cycling through a number of different genres in an effort to complete his latest project. | Add synopsis »
User Reviews:
A notch above kitsch See more (13 total) »

Cast

  (in credits order)

Directed by
Takeshi Kitano 
 
Writing credits
(in alphabetical order)
Takeshi Kitano  written by

Produced by
Makoto Kakurai .... assistant producer
Masayuki Mori .... producer
Takio Yoshida .... producer
 
Original Music by
Shinichirô Ikebe 
 
Cinematography by
Katsumi Yanagijima 
 
Film Editing by
Takeshi Kitano 
Yoshinori Ohta 
 
Production Design by
Norihiro Isoda 
 
Sound Department
Senji Horiuchi .... sound
 
Visual Effects by
Yoshifumi Sadahara .... visual effects supervisor
Tetsuya Shiraishi .... compositor
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Kantoku · Banzai!" - Japan (original title)
See more »
Runtime:
108 min | Canada:104 min (Toronto International Film Festival)
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Trivia:
In the first scenes/credits of this movie, the Takeshi Kitano's stunt doll is submitted to some medical examinations. When the results are shown on the technicians' screens, the patient name constantly changes from result to result. The names refer to some Masters of the Japanese Cinema and their birth/death dates.See more »
Movie Connections:

FAQ

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8 out of 12 people found the following review useful.
A notch above kitsch, 25 November 2007
Author: K2nsl3r from Finland

Beat Takeshi's Glory to the Filmmaker, in the first instance, is difficult to rate. Its merits are clear, but its failures are even more striking. It is second in his supposed trilogy of self-critical, self-reflective, self-mocking metamovies. Having given up on his increasingly mainstream audiences (the accolade he received after Zatoichi), Beat Takeshi is trying to bring the "Beat" back into the mix. It remains an open question whether his methods are to be applauded or lamented. Here, in this film, Kitano widens the schism between himself, the auteur, and the movie-going audiences, by techniques of alienation that are borderline sado-masochistic. The salvaging fact is the comedy of the film, which shows Kitano's long-standing background as a comic. He has shown this side of his psyche only very rarely in his films. So, I am torn between appreciating the light-hearted spirit of the film and castigating, as I should, its heavy-handed pacing and direction.

But let's look back for a moment... The film that started off this self-reflective trilogy two years ago, Takeshis', I really enjoyed (especially after repeated viewings), because it culminated his career up to that point. This current film does not achieve, or even try to achieve, anything of the sort. It does not reflect back as much as make fun of any sense of history and continuity. It is a meta-movie, a non-movie, a post-movie... and, underneath it all, a series of quirky scenes, gags and fragmentary ideas. The humour of the film is its driving force, making it closer to his comedy Getting Any (1995) than anything he's done before or since. But one has to wade through a pool of dragging nonsense to get to those tasty bits, for which reason I cannot recommend this film as a comedy.

At parts, I found the film pretentious, self-righteous and uninvolving. In a word, it's too self-conscious to be a comedy.

During some other scenes I was completely at loss of words (whether because of the film's absurdity, incoherence or its complete disregard for the audience), to the degree that I simply decided I would postpone my judgment for some other day... Well, that "other day" is today, but I still can't make up my mind... The movie disarms the viewer, but it does not live up to much, either. It's like an extended foreplay.

All in all, one has to appreciate Kitano's vision and uniqueness, but this film works best as a meta-statement of the art of movie making and not so well as a comedy, a drama or anything else. Most viewers will probably find it to be, rightly or wrongly, an irredeemable piece of trash.

I kinda liked it. It's not good enough to classify as Dada, but it's just a notch above kitsch.

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Fantastic first half - and then.... **SEMI-SPOILERS javipavi
Kitano's 8 1/2 surym
Kantoku Banzai Prize! Sanjuro-15
Looks great, but.... hellotyler
trailer mrdandylionface
Part of a trilogy! der_bobster
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