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Dolphins and Whales 3D: Tribes of the Ocean (2008)

This documentary goes to coral reefs of the Bahamas and the waters of the Kingdom of Tonga for a close encounter with the surviving tribes of the ocean: wild dolphins and belugas, the love ... See full summary »

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Storyline

This documentary goes to coral reefs of the Bahamas and the waters of the Kingdom of Tonga for a close encounter with the surviving tribes of the ocean: wild dolphins and belugas, the love of a Humpback mother for her newborn calf, the singing Humpback males, an orca the mighty King of the ocean, and the gentle manatee. Little-known aspects of these creatures capable of sophisticated communication and social interaction. Documents the life of these graceful, majestic yet endangered sea creatures. Written by 3D Entertainment

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Dive in at IMAX 3D Theatres


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Release Date:

10 June 2009 (France)  »

Also Known As:

Delfine und Wale 3D - Nomaden der Meere  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$41,695 (USA) (15 February 2008)

Gross:

$7,518,876 (USA) (26 March 2010)
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1.78 : 1
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Did You Know?

Connections

Follows Ocean Wonderland (2003) See more »

Soundtracks

Killer Whales
Written and Performed by Christophe Jacquelin
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User Reviews

 
He's no Jaques...
23 February 2008 | by (United States) – See all my reviews

Like the gentle giants that make up the latter half of this film's title, Jean-Michel Cousteau's latest production has grace, but it's also slow and ponderous. The producer's last outing, "Sharks-3D" had the same problem. It's hard to imagine a boring shark documentary, but they somehow managed it. The only draw for Sharks was it's passable 3D, which is always fun when dealing with wondrous worlds beneath the ocean's surface. But even that was only passable. Poor focus in some scenes made the production seems amateurish. With Dolphins and Whales, the technology is all but wasted. Cloudy scenes and too many close-ups of the film's giant subjects do nothing to take advantage of IMAX's stunning 3D capabilities. There are far too few scenes of any depth or variety. Close-ups of these awesome creatures just look flat and there is often only one creature in the cameras field, so there is no contrast of depth. Jean-Michel Cousteau is trying to follow in his father's footsteps, but when you've got Shark-Week on cable, his introspective and dull treatment of his subjects is a constant disappointment.


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