| Richard Tillman | ... | Tom Hilts | |
| Jessie Ward | ... | Marilyn | |
| Graham Norris | ... | Jared | |
| Joey Mendicino | ... | Jesse | |
| Julie Mond | ... | Nicole | |
| Brionne Davis | ... | The Driver | |
| Diane Salinger | ... | The Mother (as Diane Louise Salinger) | |
| Michael Childers | ... | The Father | |
| Gary Entin | ... | Twin #1 | |
| Edmund Entin | ... | Twin #2 | |
| Mikey Post | ... | Scotty | |
| Steve Railsback | ... | The Owner | |
| Michael Toland | ... | Mr. Hilts | |
| Kelly Albanese | ... | Party Girl #1 | |
| Sharon Senina | ... | Party Girl #2 | |
| rest of cast listed alphabetically: | |||
| Gina Fricchione | ... | Family Friend (uncredited) | |
| Adam Friedman | ... | Additional Voice (voice) (uncredited) | |
| Wes Robertson | ... | Buddy (uncredited) | |
Directed by | |||
| Shawn Papazian | |||
Writing credits(in alphabetical order) | ||
| John Shiban | ||
Produced by | |||
| Aaron Billet | .... | associate producer | |
| Steve Ecclesine | .... | producer | |
| Tony Krantz | .... | producer | |
| Reece Pearson | .... | associate producer | |
| John Shiban | .... | producer | |
Original Music by | |||
| Bear McCreary | |||
Cinematography by | |||
| Jas Shelton | |||
Film Editing by | |||
| Richard Byard | |||
Casting by | |||
| Patrick Baca | |||
| Robin Nassif | |||
Production Design by | |||
| Frank Bollinger | |||
Art Direction by | |||
| Russell M. Jaeger | |||
Set Decoration by | |||
| Eden Barr | |||
Costume Design by | |||
| Danielle Launzel | |||
Makeup Department | |||
| Adam Brandy | .... | makeup artist | |
| R.J. McCasland | .... | makeup artist | |
| Krystal Melton | .... | assistant makeup artist | |
| Myke Michaels | .... | makeup department head | |
| Janette Nielsen | .... | makeup artist | |
| Abby Roll | .... | key hair stylist | |
| Richard Wetzel | .... | key makeup artist | |
Production Management | |||
| Lawreen E. Kayl | .... | unit production manager | |
| George Rizkallah | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Elion Olson | .... | second assistant director | |
| Aaron Penn | .... | second second assistant director | |
| Paul Silver | .... | first assistant director | |
Art Department | |||
| Jami Anderson | .... | on-set dresser (as Jami Lynn Anderson) | |
| Jonathan Buchanan | .... | property master | |
| Jason Cardillo-Lee | .... | set dresser | |
| Liza Chenault | .... | set dresser | |
| Jon De Pabon | .... | paint boss | |
| Cade Fall | .... | art department assistant | |
| Philip Fitzpatrick | .... | set dresser | |
| Slade Hammer | .... | leadman | |
| Douglas R. Johnson | .... | head painter | |
| Christopher W. Jones | .... | construction coordinator | |
| Sara Krueger | .... | art department coordinator | |
| Erin McKenna | .... | scenic painter | |
| Ben Page | .... | propmaker | |
| Steven L. Rapak | .... | carpenter | |
| Joseph Yuss Simon | .... | storyboard artist | |
| Walter Weiss | .... | general foreman | |
| Mark Achilles White | .... | assistant property master | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Dhyana Carlton-Tims | .... | dialogue & adr editor | |
| John B. Cormier | .... | foley artist | |
| Klark Culp | .... | utility sound person | |
| Robert Dehn | .... | assistant sound editor | |
| Levent Erdogan | .... | additional dialogue editor | |
| Levent Erdogan | .... | foley editor | |
| J. Alex Faucheux | .... | foley artist | |
| Brent Findley | .... | sound effects editor | |
| Judah Getz | .... | adr mixer | |
| Dick Hansen | .... | production sound mixer | |
| Scott Hinkley | .... | sound re-recording mixer | |
| Michael Kaleta | .... | boom operator | |
| Cody King | .... | sound effects editor | |
| Richard Kitting | .... | additional sound re-recording mixer | |
| Andrew Morgado | .... | adr mixer | |
Special Effects by | |||
| Mark Weatherbe | .... | special effects coordinator | |
Visual Effects by | |||
| Peter Allendale | .... | digital compositor: Comen VFX | |
| Kenneth Armstrong | .... | graphics designer: Comen VFX | |
| Tim Carras | .... | visual effects supervisor | |
| Joshua D. Comen | .... | visual effects producer | |
| Sean Coonce | .... | digital compositor: Comen VFX | |
| Brandy Handelman | .... | digital compositor: Comen VFX | |
| Zachary Lo | .... | digital compositor: Comen VFX | |
| Holly Rayman | .... | controller: Comen VFX | |
Stunts | |||
| Matthew R. Anderson | .... | stunt coordinator | |
| Robert Sean Burke | .... | stunt double | |
| Edward Conna | .... | assistant stunt coordinator | |
| Steve Rizzo | .... | stunt double | |
| Shaun Vickers | .... | stunt double | |
Casting Department | |||
| Carla Lewis | .... | extras casting | |
Costume and Wardrobe Department | |||
| Rochelle Best | .... | costume supervisor | |
Editorial Department | |||
| Randy Beveridge | .... | final colorist | |
| Randy Beveridge | .... | senior colorist (2008) | |
| Jennifer Hunter | .... | assistant editor | |
| Emily Koonse | .... | first assistant editor | |
Music Department | |||
| Romeo Antonio | .... | music supervisor | |
| Jonathan Beard | .... | composer: special features | |
| Steve Kaplan | .... | scoring engineer | |
| Jeremy Levy | .... | orchestrator | |
| Shawn Papazian | .... | music supervisor | |
| Brandon Roberts | .... | orchestrator | |
| Aaron Roethe | .... | composer: additional music | |
| Aaron Roethe | .... | scoring coordinator | |
| John Shiban | .... | music supervisor | |
| Jonathan Snipes | .... | composer: additional music | |
Transportation Department | |||
| Leslie C. Blenkhorn | .... | driver | |
| Joe Breuer | .... | driver | |
| David M. Frish | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Pablo Gonzalez | .... | driver | |
| Donny Joseph | .... | driver | |
| Craig Lietzke | .... | transportation coordinator | |
| Tom Lyons | .... | driver | |
| Dale Moser | .... | driver | |
| Joel Renfro | .... | transportation captain | |
| Scott Sampson | .... | construction driver | |
| John Simanovich | .... | transportation co-captain | |
| Michael P. Walsh | .... | driver | |
Other crew | |||
| Martin Alcala | .... | production accountant | |
| Tansey Allen | .... | key base production assistant | |
| Tom Ara | .... | legal counsel | |
| Tom Cabral | .... | accounting clerk | |
| Thatiana Viana Cruz | .... | office production assistant | |
| Marc Garcia | .... | set medic | |
| Aaron Goldstein | .... | assistant: Mr. Myrick | |
| Josh Holden Hume | .... | key set production assistant | |
| Carlos G. Lopez | .... | assistant production coordinator | |
| Emily McLaughlin | .... | assistant: Mr. Shiban | |
| H. Charles Parrish | .... | armorer | |
| Reece Pearson | .... | assistant: Mr. Krantz | |
| Tal Polany | .... | set production assistant | |
| A.J. Rinella | .... | unit production assistant | |
| Kim Rocco Shields | .... | script supervisor | |
| Rosana Tomas | .... | production coordinator | |
| Jennifer Diane Torres | .... | production assistant | |
| Rayshelle Willis | .... | first assistant accountant | |
| Recent Posts (updated daily) | User |
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| The red car the friend drives | wheatus22 |
| Those twins...... | nevatep |
| port a pottie | broncos24 |
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| Rest Stop | Leatherface: Texas Chainsaw Massacre III | Intermedio | Halloween 5 | The Slumber Party Massacre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
One year after the disappearance of Jesse and Nicole, Jesse's brother Tom (a corporal in the Army, fresh on leave from Iraq) and two friends are on the trail. Although the police were unable to do anything, these three quickly stumble on the same path from a year before... encountering the religious family, the driver... and more. Will they meet the same fate? I really enjoyed "Rest Stop" and seeing that the same people -- most of the original cast (Jaime Alexander is noticeably absent), plus John Shiban and Shawn Papazian -- had returned, I figured this one couldn't be too bad. But my feelings are mixed. While some of it was pretty good, other aspects came across as lacking. I'll start with the defects and then go back to the merits.
The casting confused me. Both Tom Hilts (Richard Tillman) and his friend Jared (Graham Norris) weren't overly likable, and they came across as awkward. I had no interest in caring about them. The girlfriend (Jessie Ward) was good as far as being the "sexy chick", but beyond that had little to offer. Was I supposed to care about her? The other big concern was that while the creators had said they wanted to expand the mythology of the first film, almost every scene was covering the same territory all over again. It's true that new details about the driver emerged, and there was some added mythology, but not really enough to make this film seem progressive.
My final concern was the use of torture. I understand torture was used in the first film on the bus, but it seems like it was increased for this flick. For no particular reason. Having one character be turned on another? Excruciatingly painful incidents that do little or nothing in punishing sin, as near as I can tell. If you're going to use torture, use it sparingly. The torture meme has taken over horror and I have been sick of it for some time now... it's not scary, it's just getting played out and boring.
But the film is not without its merits. There's a great bathroom scene... an intense sex scene which could have gone further but goes pretty far as it is... and more of those creepy twins. The use of gritty filming (like in "Devil's Rejects") returns, which I think adds a lot of character (and should be used more, not less). And for those who liked the first film, this fills in some blanks that may have been lingering in the minds of viewers.
Overall, "Rest Stop: Don't Look Back" was not a necessary part of the series and could have gone without being made. I feel that for what was added, it wasn't nearly enough. At the same time, the film sets the stage for a "Rest Stop 3", since now there's bound to be questions needing answers for some people. I'm curious. I don't know if they can adequately answer my concerns about the plot, but they have my endorsement if they are willing to try. Just please... more plot, less torture.