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The Sopranos: Season 6, Episode 19The Second Coming (20 May 2007)Tony Fails to reason with Phil as more problems increase with Anthony as his depression increases and he results to suicide. Director:Timothy Van Patten |
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Title: The Second Coming (20 May 2007)
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Cast
| Episode cast overview, first billed only: | |||
| James Gandolfini | ... | ||
| Lorraine Bracco | ... | ||
| Edie Falco | ... | ||
| Michael Imperioli | ... |
Christopher Moltisanti
(credit only)
|
|
| Dominic Chianese | ... |
Junior Soprano
(credit only)
|
|
| Steven Van Zandt | ... | ||
| Tony Sirico | ... | ||
| Robert Iler | ... | ||
| Jamie-Lynn Sigler | ... | ||
| Aida Turturro | ... |
Janice Soprano Baccalieri
(credit only)
|
|
| Steve Schirripa | ... |
Bobby 'Bacala' Baccalieri
(as Steven R. Schirripa)
|
|
| Frank Vincent | ... | ||
| Ray Abruzzo | ... | ||
 |
Dan Grimaldi | ... | |
| Arthur J. Nascarella | ... |
Carlo Gervasi
(as Arthur Nascarella)
|
|
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Plot Summary
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Storyline
Phil turns down a compromise of asbestos by Tony. A.J despairs about the world and his future in which drives him to horrible consequences over the edge. Carmela doesn't know what to do about what will become of her son. An affront to Meadow pushes Tony to his limits, in which the consequences put the New York and New Jersey families at each others throats. Written by Emphinix
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Country:
USALanguage:
EnglishRelease Date:
20 May 2007 (USA) See more »Company Credits
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Butch DeConcini: [Tony starts to beat Coco to a pulp] WHOA! WHOA!
Tony Soprano: [training his gun at Butch] Sit down! SIT DOWN!
Butch DeConcini: [sits down] Easy, easy!
Tony Soprano: You motherfucker! My fuckin' daughter
[beating Coco]
Tony Soprano: My fuckin' daughter. MOTHERFUCKER! MY FUCKIN' DAUGHTER!
[puts his gun in Coco's mouth]
Tony Soprano: You want some Sambuca with this?
Butch DeConcini: Tony! You're makin' a big fuckin' ...
[...]
See more »
(uncredited)
Composed by Francis Zambon
Performed by Elvis Presley
See more »
Did You Know?
Trivia
The book Silvio reads is "How to Clean Practically Anything" from Consumer Reports Books. See more »Goofs
Elliot uses the term "sociopath", which is a non-clinical term often used by laypeople but rarely, if ever, by clinicians. "Psychopath" is the correct clinical term. See more »Quotes
Salvatore 'Coco' Cogliano: [after Tony discovers the affront Coco made to Meadow he walks towards him who is talking to a waiter, with a gun] Some peppers and cheese, gorgonzola. Alright? Don't ForgetButch DeConcini: [Tony starts to beat Coco to a pulp] WHOA! WHOA!
Tony Soprano: [training his gun at Butch] Sit down! SIT DOWN!
Butch DeConcini: [sits down] Easy, easy!
Tony Soprano: You motherfucker! My fuckin' daughter
[beating Coco]
Tony Soprano: My fuckin' daughter. MOTHERFUCKER! MY FUCKIN' DAUGHTER!
[puts his gun in Coco's mouth]
Tony Soprano: You want some Sambuca with this?
Butch DeConcini: Tony! You're makin' a big fuckin' ...
[...]
See more »
Soundtracks
"Suspicious Minds"(uncredited)
Composed by Francis Zambon
Performed by Elvis Presley
See more »
The dramatic events of Kennedy and Heidi suggested Tony Soprano would have some pretty dark thoughts and emotions to deal with in the series finale. The Second Coming increases the darkness as much as possible, containing events that will truly determine the premise of the last two episodes of the show.
Following Christopher's death, neither Tony nor Carmela know how to cope with the situation, especially after AJ's depression leads him to a suicide attempt in the pool. Moreover, Tony ruins his already strained relationship with Phil Leotardo by kicking the crap out of a guy who molested his daughter. Apparently, the full scale war between New York and New Jersey that he has tried to avoid for years looks bound to happen.
Emotionally, The Second Coming isn't nearly as strong as the previous episodes, or the following ones, but as a tone-setter for flawlessly executed drama it has few rivals, especially in the tragic scenes involving Anthony Jr. and his father's reaction to his suicidal thoughts. Plus, for those lamenting originality in the violent bits, the restaurant confrontation between Tony and the jerk who harassed Meadow is the single most revolting sequence in the show's history. If you've seen American History X, you'll have a pretty good idea of how extreme, but also incredibly powerful, that moment is.