6.5/10
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13 user 10 critic

Khoya Khoya Chand (2007)

Circa 1960s Lucknow-based author Zafar Ali Naqvi, who has issues with his father and his four wives, including the 4th one who lusts after him, re-locates to Bombay, starts writing for ... See full summary »

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(screenplay), (story) | 1 more credit »
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Zafar Ali Naqvi
...
Nikhat
...
Prem Kumar
...
Shyamol Mukherjee
...
Producer Khosa
Sonya Jehan ...
Ratanbala
...
Sharda
Ashish Ghosh ...
Noni Ganguly
...
Michael (as Hyder Ali)
Alka Pradhan ...
Nikhat's mother
...
Ravinder
Yusuf Hussain ...
Zafar's father
Dipannita Sharma ...
Sujata
Nitin Murudkar ...
Nikhat's father
Keerti Kapoor ...
Zafar's mother
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Storyline

Circa 1960s Lucknow-based author Zafar Ali Naqvi, who has issues with his father and his four wives, including the 4th one who lusts after him, re-locates to Bombay, starts writing for movies, and falls in love with starlet Nikhat Sheikh. Both decide to get married but cancel the plans at the last minute after she finds out that her mother and her live-in boyfriend, Michael, have gambled all her savings. Zafar leaves, leaving Nikhat on a bumpy road to self-destruction. Written by rAjOo (gunwanti@hotmail.com)

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Genres:

Drama | Romance

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Release Date:

7 December 2007 (India)  »

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Did You Know?

Trivia

Sudhir Mishra said in an interview on Zee TV that this film is based on his experience and is a tribute to the film industry and everyone who existed during the 1950s. See more »

Connections

References Awaara (1951) See more »

Soundtracks

Khushboo Sa
Written by Swanand Kirkire
Composed by Shantanu Moitra
Performed by Hamsika Iyer
Courtesy of Big Music
See more »

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User Reviews

 
A two hour drivel
1 January 2011 | by (Toronto, Canada) – See all my reviews

It is difficult to fathom the minds of Indian directors - what drives them to create period movies with stories that are still relevant in 21st century. Whether it is Vidhu Chopra's "1942 - A Love Story" or Sudhir Mishra's "Khoya Khoya Chand". With too much focus on recreating the past, the story takes a back seat and as a result, the movie fails to impress.

Time to time, Bollywood keeps making movies about itself - mainly the struggle for new comers and its dirty ongoings, right from Guru Dutt's "Kaagaz Ke Phool" to Zoya Akhtar's "Luck By Chance" (Best among the crop being Hrishikesh Mukherjee's "Guddi"). Sudhir Mishra takes one step further - he makes a movie about 1950's Bollywood. He tries to cram everything into a story - new comer struggle, casting couch, art v/s mainstream cinema, etc., etc. But while putting so much efforts to recreate that "magical era", the story, the dialogues and the character development takes a back seat. The result is just a movie that seems to be going nowhere.

The movie centres around Nikhat, an actress, played by Soha Ali and Zafar, a script writer/novelist/director/producer played by Shiny Ahuja. The movie centres around the ups and downs in their relationship, and between other characters along a time period. However, crammed with corny dialogues, annoying stereotype characters and clichéd situations, the movie drags right from the start. After a while, you just don't care what happens to the characters. Inconsistencies and loopholes are galore. Since the main characters have a Muslim background, it is customary to speak "khalis Urdu" and observe that "tehzeeb". However after few scenes, all that mannerism seems to disappear in thin air. The height of ridiculousness comes when to show her alcoholism, the director shows Soha Ali in a car parked on Bombay street side and Soha enjoying a glass of hooch.

The character of Shiny is supposed to be some kind of deep brooding, which he plays to an annoying extreme. It reminds me of similar character played by Akshay Khanna in "Dil Chahta hai". But speaking in a slow baritone voice doesn't make you an intellectual, it just makes you look a phony.

This movie somehow reminds me of Scorsese's "The Aviator". In "Aviator" however, with emphasis on recreating past, the director did not lose focus on the basic element for a good movie - a strong solid storyline. With "Khoya Khoya Chand" however, no such hope exists,sadly. The only positive aspect that I did not spend any money to watch this drivel, a simple walk to public library is all the effort that I put in watching this movie. I still gave 4 starts to the movie, as there are still movies that are worse than this and are still popular and made big monies at box office.


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