Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more.
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
After training with his mentor, Batman begins his fight to free crime-ridden Gotham City from the corruption that Scarecrow and the League of Shadows have cast upon it.
Director:
Christopher Nolan
Stars:
Christian Bale,
Michael Caine,
Ken Watanabe
Jordan Belfort is a Long Island penny stockbroker who served 22 months in prison for defrauding investors in a massive 1990s securities scam that involved widespread corruption on Wall Street and in the corporate banking world, including shoe designer Steve Madden. Written by
anonymous
There are two martini glasses on the table in a close-up shot between Belfort and Mark Hanna at the restaurant. In the next shot, there is just one martini glass on the table. See more »
Quotes
Max Belfort:
[hears a phone]
Who the fuck has the goddamn gall to call this house on a Tuesday night? God damn it!
Leah Belfort:
[watching TV]
You're gonna miss it!
Max Belfort:
Tell me something I don't know, I wait ALL WEEK for the fucking Equalizer and they have to fucking...
[picks up the phone]
Max Belfort:
[calmly, in a transatlantic accent]
Hello?... Jean? How are you, Jean?... Righto, Jean, That'll be great... Cheerio!
[hangs up]
Max Belfort:
[explodes]
Fucking half-wit!
Leah Belfort:
You missed it!
Max Belfort:
GOD... DAMN IT!
See more »
Crazy Credits
The film opens with a Stratton Oakmont advertisement hosted by Jordan Belfort. The film title appears only at the ending. See more »
Brilliantly acted, superbly written and as one would expect from a picture by Martin Scorsese, it is a masterclass of directorial craft.
Showy when it needs to be, but also quiet and contemplative. "The Wolf of Wall Street" is the equivalent of something like "Good Fellas" or even more so "Casino" but set in the world of finance. The suits might be more expensive but the people who wear them are just as sick and violent as their street-mob counterparts. Sardonic in humor and unflinching in showing the depravity of its characters, it marks somewhat of a different approach to the world of stock-trading than Oliver Stone's "Wall Street".
Where Stone seems more in line with Bertold Brecht who considered theater (or in this case film) a moral institution, does Scorsese take the position of the omnipresent observer of the dark side of the American and in many cases the human dream.
Leonard DiCaprio gives another stellar performance of great intensity and even greater tragedy while this tale of corruption, greed and self-righteousness unfolds.
It's a vast panorama that shows how during the last twenty-five to thirty years gullibility as well as our innate greed make all of us accomplices in this never-ending pyramid scheme far away from any reality.
One could almost hear Scorsese's clerical background come to the fore again, according to which nobody is without sin, and therefore we are all susceptible to corruption.
It is our decision on which side we choose to live that makes the difference. For every individual but also society as a whole.
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Brilliantly acted, superbly written and as one would expect from a picture by Martin Scorsese, it is a masterclass of directorial craft.
Showy when it needs to be, but also quiet and contemplative. "The Wolf of Wall Street" is the equivalent of something like "Good Fellas" or even more so "Casino" but set in the world of finance. The suits might be more expensive but the people who wear them are just as sick and violent as their street-mob counterparts. Sardonic in humor and unflinching in showing the depravity of its characters, it marks somewhat of a different approach to the world of stock-trading than Oliver Stone's "Wall Street".
Where Stone seems more in line with Bertold Brecht who considered theater (or in this case film) a moral institution, does Scorsese take the position of the omnipresent observer of the dark side of the American and in many cases the human dream.
Leonard DiCaprio gives another stellar performance of great intensity and even greater tragedy while this tale of corruption, greed and self-righteousness unfolds.
It's a vast panorama that shows how during the last twenty-five to thirty years gullibility as well as our innate greed make all of us accomplices in this never-ending pyramid scheme far away from any reality.
One could almost hear Scorsese's clerical background come to the fore again, according to which nobody is without sin, and therefore we are all susceptible to corruption.
It is our decision on which side we choose to live that makes the difference. For every individual but also society as a whole.