Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
The dynamic PR-agent HANNAH is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while HANNAH... See full summary »
Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Written by
The song being played as the performers in the Safari Club rehearse, and while Isaacs and Marissa Wiegler talk, is "The Devil Is in the Details" by The Chemical Brothers. Isaacs actually references the song title during the dialogue. See more »
When Hanna is escaping from the underground base she fires a gun and the slide locks open indicating that it is empty. But she is seen and heard to keep firing. See more »
Words are spoken during the credits. At the end of the first song: "Music: A combination of sounds with a view to beauty of form and expression of emotion". And after the end credits: "Schlaf weiter" (sleep on). See more »
Peer Gynt Suite #1, OP. 46-4, In The Hall Of The Mountain King
Written by Edvard Grieg
Performed by The Czech Philharmonic
Courtesy of Cleopatra Records, Inc.
By arrangement with The Orchard See more »
A friend got me tickets to an advance screening, telling me it was a spy thriller with Eric Bana and Cate Blanchett. I hadn't seen a trailer and was expecting something along the lines of Mission Impossible. Was I wrong.
I'm not great at doing reviews, but I feel I need to say something about this amazing movie! During it, I was very aware at how engrossed I was, hanging on every scene. It was visually stunning - some of the scenes or transitions between them were so beautiful. The title "HANNA" on the screen reminded me a lot of Kill Bill. In fact, I felt Saoirse Ronan's Hanna is a teenage version of The Bride from Kill Bill and Leeloo from The Fifth Element.
I've seen Cate Blanchett in a couple of movies, but was impressed by her portrayal of a ruthless agent. I hate to say that Eric Bana's character (Erik) was "almost" forgettable - in the end, the movie was really not about him. But he did show up once wet and without much clothing and that was just fine by me.
I am not a fan of violence (and Tarantino's bugs me a lot), but I was OK with the quantity and visibility of it in this movie. Fans of Kill Bill should enjoy Hanna.
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