Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
The dynamic PR-agent HANNAH is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang. But while HANNAH... See full summary »
Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Written by
In the extended conversation in bed between Hanna and her new friend, they are supposedly talking face-to-face because we see the back side of the other's head, however as the camera switches between them they are both shown lying on their left side making talking face-to-face impossible. See more »
Words are spoken during the credits. At the end of the first song: "Music: A combination of sounds with a view to beauty of form and expression of emotion". And after the end credits: "Schlaf weiter" (sleep on). See more »
Action movie unbelievable shock! Get over it and watch pure film.
Let's get the obvious out of the way, shall we? The plot is derivative of so many other things it's not true, with Nikita being the obvious reference point. The acting isn't particularly strong, the script is barely adequate and the plot is neither internally coherent nor believable. In other words it's like every other action film ever made from Bond to Bourne and all points between. So what was everyone expecting who went to see this movie? Shakespeare?
On the other hand I would rate this as one of those rare experiences of seeing pure film. That is to say that there is the perfect marriage between image and music that makes it something quite different to the normal. The composition and direction of this film are really quite extraordinary with scene after scene catching the eye and making the commonplace clichés of the action genre seem fresh. The choice of music is inspired and the way that is has been synced to the action serves to heighten the tension in the scenes.
The film also manages to avoid the usual problem of over-reliance on CGI with the effects that are used being spare and for a reason. At one point we have a chase and fight in a container port and I was expecting the worst. Where did this scenario come from? I suspect it was one of the early Dirty Harry films and the container port shootout/chase has since become a compulsory element in all bad action movies and features in multiple episodes of TV thrillers. In 99 times out of 100 it's lazy, it's boring and it's the same as every other one you've seen. Well Joe Wright has done the seemingly impossible by making his container port scene exciting and different.
Look, you're not going to learn the meaning of life or even the meaning of the plot by watching this movie. If you enjoy cinema however, and by that I mean the use of images, light and music to propel the story then I think you'll like this.
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