a life of and for music
Author:
dromasca from Herzlya, Israel
4 February 2012
The title of the film directed by Bruce Ricker and produced by Clint
Eastwood is inspired by one of the most famous pieces composed by Dave
Brubeck (here is on a recording in 1964, with his quartet including
preferred saxophonist partner and friend Paul Desmond). It is also a
defining story line which is followed with off-voice commentaries in a
rather conventional and chronological manner, but gets enriched at each
stop by a rich and significant melt of interviews made by the musician
during his long career with media figures like Walter Cronkite, and
commentaries on the music of Brubeck by experts and artists like Yo-Yo
Ma or Sting, and most than all the music itself. Archived clips take us
from the music of the debut years to the 2007 Newport festival concert,
and then some music played specially for this film.
This is the story of a fabulous life, which started in California,
continued on the European second world war theaters where his talent is
quickly discovered and put to the service on entertaining and raising
the moral of the troops and the formal musical studies with Darius
Milhaud. The 50s brought him the recognition, the formation of the
famous Dave Brubeck Quartet which would accompany him for almost two
decades and fame, as jazz was entering mainstream and Brubeck was the
first musician in the genre who made the cover of TIME Magazine in
1954. He was also a breakthrough artist in what concerns the
penetration of jazz in the popular music attention and hit parades.
Take Five for example was recorded in 1961 and made it to the top in
many countries around the world.
Brubeck was also part of the first generation of 'Jazz Ambassadors'
program initiated in 1958 by the State Department, which took the best
American jazz musicians in tours world-wide making them known one of
the most original forms of art brought to the world by America. These
tours also were a great opportunity for the musicians to be exposed to
the music played in other countries and continents. From that period he
drew inspiration for pieces like Blue Rondo a la Turk recorded in 1962,
this was fusion before the word was applied at all in the musical
field.
One of the final scenes is at an award ceremony at the Kennedy Center
in 2009, honored by some of the finest musicians that America has,
including his sons. This comes by the end of one of the best music
documentaries that I have seen lately, the portrait of an artist whose
whole life is music, who loves music and makes people who see and
listen to him love it.
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