Episode List


Season 29

1 Jan. 2007
The Evolution of Encores!
On The Evolution of Encores!, guests Judith E. Daykin (founder), Rob Fisher (music director from founding to 2006), David Ives (book adapter for 18 productions) and Jack Viertel (artistic director since 2001) discuss the growth and success of the acclaimed musical concert series at New York's City Center, exploring how Encores! grew out of a concert at BAM in the late 80s; how the international success of Chicago impacted the series; how shows are selected; whether the addition of costumes, choreography and other "production" elements have moved the series away from ...
7 Feb. 2007
Casting Directors
Casting Directors Tara Rubin (Spamalot, The Producers), Laura Stanczyk (Translations, Sweet Charity), Daniel Swee (The Coast of Utopia, The Vertical Hour), and Bernie Telsey (Wicked, Hairspray) explore and explain the work of the casting director, touching on issues from the best advice they can give actors about auditioning, how they work with directors and writers in the casting process, the challenges of luring stars to the stage, how they feel about stunt casting and televised casting competitions, and why judiciously mailing head shots and resumes can be an ...
2 Mar. 2007
The Coast of Utopia
Four actors from the 42-member The Coast of Utopia company -- Jennifer Ehle, Josh Hamilton, Ethan Hawke and Amy Irving -- talk about the experience of appearing in Tom Stoppard's triptych of 19th century Russian intellectual history, including their own trepidation at working with the brilliant Stoppard; adapting language written by an English playwright for Russian characters to the comfort of American actors -- and audiences; the thrill of of working in a variant of a classical repertory company; whether they chose to research the era and their characters; and why ...
Apr. 2007
Leading Men
Four acclaimed leading men - Jeff Daniels (Blackbird), Brian Dennehy (Inherit the Wind), Liev Schreiber (Talk Radio) and Kevin Spacey (A Moon for the Misbegotten) - discuss a wide array of topics, including whether the prefer rehearsal to performance, their experience in long runs and how great plays can carry actors along, the acting opportunities of appearing in many plays by the same author, how they find new challenges, whether they can still enjoy theatre as a member of the audience, and if its harder to do their work now that they're well known.
27 May 2007
August Wilson's Legacy
The extraordinary legacy of playwright August Wilson and his 10-play cycle of African-American life in the 20th Century is explored in a two-part program. First, a panel of Wilson's collaborators -- producer James Houghton (Signature Theatre Company), dramaturg Todd Kreidler, director Kenny Leon (Radio Golf, Gem of the Ocean), actor/director Ruben Santiago Hudson (Gem of the Ocean, Seven Guitars), producer Jack Viertel (Radio Golf) -- discuss the process of developing and producing Wilson's plays. In the second half, the depth and variety of Wilson's characters are ...
3 Jun. 2007
Artistic Directors
The artistic directors of four major not-for-profit companies - Susan V. Booth of the Alliance Theatre, Oskar Eustis of The Public Theater, Emily Mann of the McCarter Theatre Center and Michael Wilson of Hartford Stage - discuss the unique task of the artistic director, touching upon issues including how they balance their personal artistic goals as directors with the institutional needs of their companies, whether their focus is on the local community or the larger national artistic community, the relationship between not-for-profit theatres and commercial producers,...
4 Nov. 2007
The Next Generation
Four of Broadway's newest and brightest stars - Ashley Brown (Mary Poppins), Jonathan Groff (Spring Awakening), Alison Pill (Mauritius) and John Lloyd Young (Jersey Boys) - discuss their road to the Broadway stage, the mentors who helped them, where their drive to perform comes from, their earliest roles, how they handle the audition process, facing their fears, keeping their voices in shape and what roles they'd love to play in the future. Additional resources: Mary Poppins: Official Site Spring Awakening: Official Site Manhattan Theatre Club Jersey Boys: Official ...
18 Nov. 2007
Horton Foote's America
In a one-on-one interview with playwright Horton Foote he talks about his early career as an actor, who was responsible for his becoming a playwright, how his connection to the past inspires his writing, what it was like to write for television's Golden Age, writing for different mediums, including his Oscar winning screenplays, and the influence his hometown of Wharton, Texas has had on his life and his work. He's then joined by four artists who have worked with him in recent years - his daughter, actress Hallie Foote; James Houghton, Artistic Director of Signature ...
Jan. 2008
Off-Broadway Companies
The Artistic Directors of four off-Broadway not-for-profit theater companies - Douglas Aibel of Vineyard Theater, Charlotte Moore of Irish Repertory Theater, Tim Sanford of Playwrights Horizons and Jim Simpson of The Flea Theater - share their thoughts about attracting audiences to their shows, the cost of keeping their theaters going, the challenges they face competing with commercial productions, how they choose the works performed on their stages and what they hope to accomplish for their companies in the next several years.
Jan. 2008
Featured Performers
Our panel of stage performers - Helen Carey, Elizabeth Franz, Jayne Houdyshell and Zeljko Ivanek - discuss their roles as featured actors and actresses, the range of work available to them, how they become their characters, dealing with stage fright and forgetting their lines, the audition process, performing in regional theater and how they prepare for each evening's performance.
Feb. 2008
Directors on Directing
Our distinguished panel of theatre directors - Anne Bogart, Scott Ellis and Daniel Sullivan - discuss their early influences in theatre and how that impacted their work as directors, why they have such a strong and emotional reaction to the idea of "concept" in the directing process, their opposing opinions on the role of assistants, what plays interest them and which works they wouldn't direct, whether they each approach the process differently when directing a new work or a revival, and whether they feel directing is something that can be taught.
Feb. 2008
Steppenwolf: From Chicago to Osage County
Ranging from their start in a church basement in 1976 to their current Broadway production of August: Osage County, Steppenwolf Theater Company Co-Founder Jeff Perry and Steppenwolf Ensemble Members Laurie Metcalf, Amy Morton and Rondi Reed discuss their formative years as a rebel theater group in Chicago, what they did in those early years to attract audiences, how the ensemble has evolved, how Steppenwolf transformed from upstart to institution, the development of August: Osage County, and the challenges that a New York success like August places on their work back ...
Mar. 2008
Unexpectedly Theatre
With backgrounds rooted in rock and roll, television comedy and comics, our 4 guests have made the leap from their day jobs to the stages of Broadway and Off Broadway with their musicals. Ben Katchor (The Slug Bearers of Kayrol Island), David Javerbaum (Cry-Baby), Heidi Rodewald (Passing Strange) and Stew (Passing Strange) discuss adjusting to the collaborative world of theater, the rules of theater they think were made to be broken, their reaction to producers' notes, and how they feel their shows fit within the context of traditional musicals.
Apr. 2008
Performing Musicals
Actors Roger Bart (Young Frankenstein), Brian d'Arcy James (Next To Normal), Priscilla Lopez (In The Heights) and Sherie Rene Scott (The Little Mermaid) - collectively veterans of more than 30 Broadway and off-Broadway musicals - talk about the differences between performing in musicals and straight plays; acting techniques and voice training; how they prepare for a performance; dealing with the "triple threat" of acting, singing and dancing; balancing their lives on and off stage and their opinions on today's new composers.
Apr. 2008
Demystifying the Classics
A trio of classical theatre veterans - Kate Fleetwood, Peter Francis James and Laila Robins - share their thoughts about the importance of language in performing the classics and the physical connection they feel to the language; why the classics force audiences to think; the reaction of younger audiences to classical theatre; tackling the pre-conceived ideas held by audiences about the classics; and their opinion on setting the plays in different eras.
May 2008
Producing Broadway
What is the role of a producer? That was the question that started the discussion among four of Broadway's top producers - Roger Berlind, Margo Lion, Jeffrey Richards and Jeffrey Seller - as the conversation turned to whether they produce for profit or passion and how they balance between the two; what the shows they produce reveal about themselves; what the opportunities are for new producers; the increased role the internet and other new media plays in theater today; the escalating cost of producing a show on Broadway today; and what they feel are the major issues ...

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