It's a very hot night in a fictitious version of Tokyo. Based on the game "Yakuza" the story follows various loosely connected threads. Former Yakuza underling Kiryu Kazuma (Kitamura Kazuki... See full synopsis »
In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.
A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth.
In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among... See full summary »
It's a very hot night in a fictitious version of Tokyo. Based on the game "Yakuza" the story follows various loosely connected threads. Former Yakuza underling Kiryu Kazuma (Kitamura Kazuki)... See full synopsis »
Takashi Miike's loose adaptation of the PS2 game "Yakuza" is definitely an odd duck. It defies most formula conventions and delivers a uniquely Miike experience. Reminiscent of City of Lost Souls before it and Crows Zero after it, Like A Dragon has as many laughs as it does bullets. Combining bombastic action with a violent sense of humor, the film almost seems to want you to hate it, but it's hard not to like what amounts to be one of the most twisted action comedies in recent memory. A gangster fresh out of jail, his bat-wielding and bugnuts crazy arch-nemesis, a lost little girl, two Bonnie and Clyde posers, a pair of idiot bank-robbers, a mysterious Korean hit-man and plenty of other characters inhabit one hot night in a fictional district of Tokyo with two missing women and ten billion yen at stake. If you're expecting a deathly serious action fest, you had better look elsewhere. Relying on vicious physical gags and some truly inspired comic timing, Miike mixes in dynamic camera-work with colorful imagery to continuously rebel against traditional action conventions. This is definitely not one of Miike's most profound works, but it is certainly one of his most undeniably fun.
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