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In Search of a Midnight Kiss (2007)

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2:22 | Trailer
Broke and alone on New Year's Eve, Wilson just wants to spend the rest of a very bad year in bed. But, when his best friend convinces him to post a personal ad, he meets a woman bent on finding the right guy to be with at midnight.

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Cast

Cast overview, first billed only:
...
...
...
Jacob (as Brian Matthew McGuire)
Kathleen Luong ...
Min (as Katie Luong)
...
Jack
...
Wilson's Mother
...
Bui
Ann Chatterton ...
Neighbor #1 (as Annie Chatterton)
...
Neighbor #2
Giorgio Pierangeli ...
Maitre d'
Michael Pierangeli ...
Young Boy
Bruce Jay ...
Stevie
...
Jacob's Mother
Julie Levin-Pierangeli ...
Wilson's Sister
Kennedy Rich-Collins ...
Vivian's Mother
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Storyline

On New Year's Eve, Wilson, a twenty-nine-year old guy has just had the worst year of his life. He emigrated to Los Angeles, has no date, no concrete plans and every intention of locking the doors and forgetting the last year ever happened. That is until his best friend, Jacob, browbeats him into posting a personal ad on Craig's List. When Vivian, a strong-willed woman hell bent on being with the right guy at the stroke of midnight responds, a chaotic, sometimes hilarious, sometimes touching journey through the black and white streets of L.A. begins. In the waning hours of the year, emotional vulnerability and bitterly honest humor seem to be waiting around every corner. Written by Independent Film Guide

Plot Summary | Add Synopsis

Taglines:

14 hours until the new year. 12 million people in Los Angeles. 1 connection shouldn't be this hard. See more »

Genres:

Comedy | Romance

Certificate:

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Parents Guide:

 »
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Details

Official Sites:

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Language:

Release Date:

1 August 2008 (USA)  »

Also Known As:

Anazitontas ena fili ta mesanyhta  »

Filming Locations:

 »

Box Office

Budget:

$25,000 (estimated)

Opening Weekend:

£52,836 (UK) (13 June 2008)

Gross:

$172,177 (USA) (14 November 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

If Wilson's mom is in Florida, she shouldn't be toasting the New Year at the same time as Los Angelenos. She'd be 3 hours late. See more »

Quotes

[first lines]
Wilson: The midnight kiss. It's not just another kiss. It's all the hope of romance of the year culminating in just one moment. And that over-hyped kiss, in which there is so much calling, texting, I.M.-ing, planning, hurrying, drinking to make happen, is set at a moment when time itself takes center stage, when you can palpably feel the weight of the year to come, mix with the loneliness and missed opportunities of the years gone by.
[pause]
Wilson: For years I used to work at a video store, and ...
[...]
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Connections

References His Girl Friday (1940) See more »

Soundtracks

The Kind
by Shearwater
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Frequently Asked Questions

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User Reviews

 
It rambles, redeems itself, and ultimately works - and how it works!
26 July 2007 | by (United Kingdom) – See all my reviews

Can love be found in the sparkle of damp streets? A soft-focus moment as desire is swept and sublimated into the tenderest kiss?

Do these scenes elicit warm memories for you? Or is it an emotional jack-off to a place you want to be in but can't?

In the last few days of each year, activity on sites like MySpace and Craigslist swells 300%. So many looking for love on New Year's Eve. Our ex-video-clerk (and award-winning film-maker), Alex Holdridge, has made them a movie. A dark, perverted, gritty, romantic comedy that, like a new relationship, comes with big indie warts-and-all. Then turns them around in an artsy, offbeat triumph.

Opening black-and-white photography of couples kissing exudes style. Tasteful snogging on sidewalks. Smooching by a river. Under neon. Christmas illuminations. Streetlights and shadows, and quiet corners. Sinatra croons "As Time Goes By" and a convenient voice-over says: "It's not just another kiss - it's all the hope of romance of the year culminating in just one moment."

But lets get real a minute. Our protagonist, love-luckless Wilson, is segueing the female half of one such scene into a private erotic fantasy. It features his best friend's girlfriend, Min. (Here the comedy plays to our discomfort). Determined to find him a life, Jacob and Min cajole him into placing an online dating ad. Vivian, neurotic blonde with openly cut-throat approach, soon 'interviews' Wilson as her potential New Year's Eve date.

Gutsy performances and shambolic production values keep Midnight Kiss rooted to some recognisable reality rather than the glossy romcom it could easily have become. Rambling dialogue is cringeworthy from the characters' awkwardness rather than lack of writing talent. What at first sight seems like an amateurish losers' mess, gradually earns its wings as human interaction shows Wilson to be more substantial and interesting than his tosser persona would credit; and Vivian to be more human than her pill-popping intro would have us believe.

Vivian's location sets were almost too realistic for the film's own good it seems. Twice, the cast and crew were threatened with police action when downmarket hotel managers were spooked by the sight of empty liquor bottles and prescription drug pill boxes. Much of the movie is made in downtown Los Angeles or Sunset Boulevard - surrounded by derelict theatres and decrepit hotels. But its verité style lovingly exposes both the city's decay and its beauty. Originally conceived as bitter critique, its ultimate appeal (like 'thelostshoeproject.com' that Vivian champions - 'everyone is searching for something') is one of jewels in the dust.

Pacing is adroitly achieved through abrupt changes in emotional resonance. From initial, self-consciously polished cinematography, we are thrown into Wilson's desultory world. And just as we want to lose patience with him, Vivian erupts into the dialogue, kicking ass all the way from Texas to L.A. A subplot involving Jacob and Min's romance distracts us long enough for the outcome of Wilson and Vivian's date to develop the needed tension. And perhaps the fact that the film doesn't sell out at the end persuades us to view the whole episode more kindly. The palpably low-budget allows the skills of the filmmakers to shine through - whereas a market-perfect production could well have glossed over them. Rather than a movie for couples out on a date, In Search of A Midnight Kiss is for all the people who wish they were out on a date. Or for couples brave enough to ask if they are any better off.

The film, for all its flaws, connects in a way that sanitised romantic comedy can not. Perhaps in idealising love it is all too easy to ignore the grubbier roots and miss what is in front of our eyes.


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