Inspector Lynley and Sgt. Havers investigate the death of teenager Sarah Middleton who had gone missing two weeks previously. She was found in a lake and had been dead for three or four days. She had...
Detective Inspector Jack Frost is an unconventional policeman with sympathy for the underdog and an instinct for moral justice. Sloppy, disorganized and disrespectful, he attracts trouble like a magnet.
With the help of DS John Bacchus, Inspector George Gently spends his days bringing to justice members of the criminal underworld who are unfortunate enough to have the intrepid investigator assigned to their cases.
Det. Supt. Peter Boyd (played by Trevor Eve) is the leader of a multi-discipline police team of detectives and scientists, the Cold Case Squad, which investigates old, unsolved murder cases using modern methods and new technology that may not have been available during the original investigation.
Following the young Endeavour Morse in his early day as an Oxford police constable working with CID, encountering Strange for the first time, and developing the notable personality traits he would latterly refine.
I have now rewatched several of these, and have refined my appreciation.
The usual models for these sorts of projects is to distribute the episodes among different directors and screenwriters, assuming that the continuing characters are what matters. This series is different. The producers kept a firm hand on the way the episodes are framed; there is a consistent framework carried from one to the other that understand George's structure perhaps better than she does herself.
There is a murder or two. The dynamics of this murder happen in their own word, a world of madness or unraveled anger. The sense behind this is fantastically abstract, and is framed by a sort of soap opera centered on the events and characters that are suspects.
A more human, immediate layer an entire third world is the soap opera of a quite different nature in the lives of the continuing characters: Lynley and Havers. He is derived from Peter Wimsey, a second order aristocrat engaged in justice for his own reason. He has friends and lovers. Havers is an abrasive young lower class woman, struggling with family issues. This world is layered as well between Lynley and Havers.
One can easily imagine George seeing herself as Havers, watching and commenting on Lynley as he tries to understand the dynamics of the world he has entered to solve the crime, and find the embedded "world of motive."
This layered narrative format is understood by the producers of the series. Significant attention is paid to camera distance to register intimacy or lack of it. In particular, Havers is always the omphalos of the thing. Sharon Small is the actress who has taken on this central role and she is simply magnificent in it. She has the job of being a person in the thing, but that is an ordinary chore for an actor. She also has to be the observer and observer of the observer as the writer's surrogate. We never lose sight of the fact that this is a novelist's construction and she has included herself in the world as its origin.
Ted's Evaluation -- 3 of 3: Worth watching.
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