Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
When her brother decides to ditch for a couple weeks, Viola heads over to his elite boarding school, disguised as him, and proceeds to fall for one of his soccer teammates, and soon learns she's not the only one with romantic troubles.
Two things about Jane: she never says no to her friends (she's been a bridesmaid 27 times and selflessly plans friends' weddings), and she's in love with her boss, George, nurturing dreams of a lovely, romantic wedding of her own. She meets Kevin, a cynical writer who finds her attractive, and that same week her flirtatious younger sister Tess comes to town. Jane silently watches George fall for Tess, a manipulative pretender. Worse, Jane may be called upon to plan their wedding. Meanwhile, Kevin tries to get Jane's attention and has an idea that may advance his career. Can Jane uncork her feelings? Written by
In the beginning of the movie when Jane is pushed out of the way during the bouquet toss, she is wearing her floral head wreath as all the other bridesmaids are. In the next shot when Kevin is helping her up, the wreath is not in her hair, nor is it anywhere on the floor as if it fell out when she fell. See more »
How could you let this happen to me?
[begins reading from newspaper article]
"If Jane is the prototypical accommodating bridesmaid, then her sister Tess is cast as the overbearing, overindulged bride-to-be who at any moment might start stomping around Manhattan, breathing fire, and swatting planes from the sky."
I had no idea he was writing an article about me.
You? He called me Bridezilla! In the New York freaking Journal! I could tear him apart limb from limb!
See more »
Primary closing credits (director, producers, cinematographer, etc.) done as by-lines in a newspaper. Main acting credits are displayed as wedding announcement photos and captions. See more »
Written by Sergio Pizzorno
Performed by Kasabian
Courtesy of The RCA Records Label/SONY BMG MUSIC ENTERTAINMENT (UK) Limited
By arrangement with SONY BMG MUSIC ENTERTAINMENT See more »
Romantic comedies are almost always predictable and follow similar story lines. I wasn't very keen on watching '27 Dresses'. Let's just say it's not my kind of film. But it turned out to be not too bad. While it does not exactly rank among the best of its genre, it has its own charm and that's one of the few things that make a romantic comedy likable. While the story isn't new, McKeena's writing offers some new devices and the dialogues are quite funny. Fletcher's storytelling is quite impressive too as he introduces the characters and then lets the events unfold. The layered characters Jane and Kevin are very real. I also like it when the leads are played by good actors who have hardly attempted to do films romantic comedies in the past and they manage to pull it off. Heigl and Marsden have the required chemistry. Both actors do a fine job. Katherine Heigl brings out the depth of her character with ease, while James Marsden is funny without going over-the-top. The sizzling Malin Akerman does well as the obnoxious Tess. Edward Burns's role doesn't require much but he's okay. Judy Greer is brilliant and she owns all her scenes. So what makes '27 Dresses' watchable is the chemistry between the actors, the funny lines, the presentation of the story, a nice soundtrack and its unique charm and sense of humour and the fact that it didn't bore me.
45 of 57 people found this review helpful.
Was this review helpful to you?