A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Anna Brady plans to travel to Dublin, Ireland to propose to her boyfriend Jeremy on February 29, leap day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Two things about Jane: she never says no to her friends (she's been a bridesmaid 27 times and selflessly plans friends' weddings), and she's in love with her boss, George, nurturing dreams of a lovely, romantic wedding of her own. She meets Kevin, a cynical writer who finds her attractive, and that same week her flirtatious younger sister Tess comes to town. Jane silently watches George fall for Tess, a manipulative pretender. Worse, Jane may be called upon to plan their wedding. Meanwhile, Kevin tries to get Jane's attention and has an idea that may advance his career. Can Jane uncork her feelings? Written by
The wardrobe department reported that their initial designs for the dresses all looked too good on Katherine Heigl because of her figure, and they were hard-pressed to design bridesmaids dresses that would look bad on her. See more »
When Jane is wearing one gown (from Suzanne and Greg's wedding), while carrying another in a bag, she hails a taxi and affixed on its roof there is an illuminated advertisement panel and its number is "9Z66". However, in the next two shots the ad panel has vanished and the taxi's number is now "8Z30". (There is a missing shot which can be seen in the deleted scenes.) See more »
[on seeing Kevin]
Who was that and where can I get one?
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Primary closing credits (director, producers, cinematographer, etc.) done as by-lines in a newspaper. Main acting credits are displayed as wedding announcement photos and captions. See more »
Written by Sergio Pizzorno
Performed by Kasabian
Courtesy of The RCA Records Label/SONY BMG MUSIC ENTERTAINMENT (UK) Limited
By Arrangement with SONY BMG MUSIC ENTERTAINMENT See more »
For many the plot of this movie feels formulaic and revisited. Jane (Katherine Heigl) is the people-pleaser of the century. A somewhat spineless nice girl who can't say no to anyone, she has been a bridesmaid 27 times, often exceeding her duties in every wedding. For all her romantic yearnings, she can't seem to hook her boss, George (Ed Burns) whom she has been in love with for years. When her self-centered little sister Tess (Malin Akerman) comes in and manages to snag George, Jane once again capitulates to everyone's needs but her own. In comes Kevin (James Marsden), a newspaper columnist stuck covering weddings who yearns to break out and write about more important things. Under the pretense of covering George and Tess's wedding, he really is writing about Jane and her perpetual bridesmaid stints. Complications ensue etc. etc.
For me, what really made this movie was the performances. Katherine Heigl did an absolutely fantastic job playing the woman that I'm sure everyone has felt like at one time. She brought a lot of spice to what could have been a one-note role. James Marsden is also pitch-perfect as the cynical reporter, a foil to Jane. It helps that they have good fight-and-kiss chemistry.
Also, for me the story line was not as tired and recycled as people made it out to be. It had some fresh spin and I really enjoyed it. I also preferred the ending to this movie to many chick-flick comedies which leave things open-ended and almost unrealistic. 27 Dresses wraps up all the plot lines in one neat sequence that is a truly worthy finale.
All in all, as far as romances and rom-coms go, this one shot to the top of my list.
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