A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Single-girl anxiety causes Kat Ellis (Messing) to hire a male escort (Mulroney) to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Two things about Jane: she never says no to her friends (she's been a bridesmaid 27 times and selflessly plans friends' weddings), and she's in love with her boss, George, nurturing dreams of a lovely, romantic wedding of her own. She meets Kevin, a cynical writer who finds her attractive, and that same week her flirtatious younger sister Tess comes to town. Jane silently watches George fall for Tess, a manipulative pretender. Worse, Jane may be called upon to plan their wedding. Meanwhile, Kevin tries to get Jane's attention and has an idea that may advance his career. Can Jane uncork her feelings? Written by
When Jane is wearing one gown (from Suzanne and Greg's wedding), while carrying another in a bag, she hails a taxi and affixed on its roof there is an illuminated advertisement panel and its number is "9Z66". However, in the next two shots the ad panel has vanished and the taxi's number is now "8Z30". (There is a missing shot which can be seen in the deleted scenes.) See more »
Did you love him, or was he just convenient?
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Primary closing credits (director, producers, cinematographer, etc.) done as by-lines in a newspaper. Main acting credits are displayed as wedding announcement photos and captions. See more »
Romantic comedies are almost always predictable and follow similar story lines. I wasn't very keen on watching '27 Dresses'. Let's just say it's not my kind of film. But it turned out to be not too bad. While it does not exactly rank among the best of its genre, it has its own charm and that's one of the few things that make a romantic comedy likable. While the story isn't new, McKeena's writing offers some new devices and the dialogues are quite funny. Fletcher's storytelling is quite impressive too as he introduces the characters and then lets the events unfold. The layered characters Jane and Kevin are very real. I also like it when the leads are played by good actors who have hardly attempted to do films romantic comedies in the past and they manage to pull it off. Heigl and Marsden have the required chemistry. Both actors do a fine job. Katherine Heigl brings out the depth of her character with ease, while James Marsden is funny without going over-the-top. The sizzling Malin Akerman does well as the obnoxious Tess. Edward Burns's role doesn't require much but he's okay. Judy Greer is brilliant and she owns all her scenes. So what makes '27 Dresses' watchable is the chemistry between the actors, the funny lines, the presentation of the story, a nice soundtrack and its unique charm and sense of humour and the fact that it didn't bore me.
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