Directed by | |||
| Keven McAlester | |||
Produced by | |||
| Brian Gerber | .... | producer | |
| Phil Hay | .... | executive producer | |
| Takeo Hori | .... | co-producer | |
| Jeffrey Levy-Hinte | .... | producer | |
| Alicia Loving | .... | in-house producer | |
| Matt Manfredi | .... | executive producer | |
| Kel Symons | .... | producer | |
Original Music by | |||
| Blonde Redhead | |||
Cinematography by | |||
| Lee Daniel | |||
Film Editing by | |||
| Christine Khalafian | |||
Production Management | |||
| James Debbs | .... | post-production supervisor | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Jason Boswell | .... | sound | |
| Mike Budzik | .... | sound | |
| Mike Curtiss | .... | sound | |
| Tom Efinger | .... | sound supervisor | |
| Eric Gitelson | .... | foley engineer | |
| Robert Hearn | .... | sound mixer | |
| Robert Hearn | .... | sound (as Rob Hearn) | |
| John Moros | .... | sound editor | |
| Matt Oliva | .... | additional sound mixer | |
| Chad Robertson | .... | sound | |
| Bill Ruth | .... | sound | |
| Brian Scibinico | .... | sound re-recording mixer | |
| Jeff Seelye | .... | assistant sound editor | |
| Penny Smith | .... | sound | |
| Dan Taylor | .... | sound | |
| Sam Watson | .... | sound | |
| Russell White | .... | sound | |
Camera and Electrical Department | |||
| John Bush | .... | additional photographer | |
| Matthew Buzzell | .... | additional photographer | |
| Patrice Lucien Cochet | .... | additional photographer (as Patrice Cochet) | |
| Ronnie Dennis | .... | first assistant camera: "a" camera | |
| Chad Eshbaugh | .... | motion-control camera | |
| Nikk Hearn-Sutton | .... | Steadicam operator (as Nikk Sutton) | |
| Adam McDaid | .... | additional cinematographer | |
| Declan Ryan | .... | additional cinematographer | |
| Lisa Wiegand | .... | additional cinematographer | |
Editorial Department | |||
| Doug Fox | .... | digital intermediate producer | |
| Victor Livingston | .... | supervising editor | |
| Leandro Marini | .... | digital intermediate producer | |
| Alicia Martinez | .... | on-line editor | |
| Sean McQueeney | .... | additional editor | |
| Blake Norelius | .... | digital intermediate colorist | |
| Eric Potter | .... | additional editor | |
| Adrian Scherger | .... | on-line editor | |
| Mary Liz Thomson | .... | digital intermediate supervisor | |
Music Department | |||
| Ryan Barnes | .... | music coordinator | |
| Joe Rudge | .... | music supervisor | |
Other crew | |||
| Natasha Atalla | .... | production assistant | |
| Tabatha Conrad | .... | production assistant | |
| Andy Goldman | .... | title designer | |
| Derrick Goulet | .... | production accountant | |
| Rob Howland | .... | production assistant | |
| Gerry Kim | .... | office manager | |
| Jeff Lock | .... | production assistant | |
| Thorn Michaels | .... | production assistant | |
| Skyler Ng | .... | production assistant | |
| Kathie J. Pomposo | .... | production assistant | |
| Lissette Schuster | .... | production assistant | |
| Shannon Simonsen | .... | production assistant | |
Thanks | |||
| Eve Epstein | .... | special thanks | |
| Jacques Vroom III | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| A message for the people in this documentary... | silverwing242003 |
| Accurate Portrayal | mkell424 |
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| Interview with the Vampire: The Vampire Chronicles | Tea and Sympathy | Rebel Without a Cause | The Journey of August King | Dungeons & Dragons: Wrath of the Dragon God |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I have been playing role-playing games (mostly Dungeons & Dragons) for about 26 years, give or take, and I can nod agreeably to some of the things in this documentary, but wow it really, and I do mean really, puts a derogatory light on role-players as people, as it showcases some of the more extremes of people. This movie really makes role-players (or gamers) stand out like social inadequate misfits.
I love Dungeons & Dragons, otherwise I wouldn't have played for this many years, obviously, but this movie was just a tad too much. It was all about hanging people out to dry. There were times when I was thinking that this is so staged and fake, because no one could seriously have that sad existences.
How about if the director had opted to show people who weren't socially challenged, overweight, nerdy and alienated from the 'normal' world around them? During my 26 years of gaming and having had multiple people in and out of the gaming groups, I can honestly say that the way these people were portrayed, I can only name on in my experience of gaming that would qualify to be part of the ensemble in this movie.
I don't believe that this documentary does justice to the role-playing game, or the people that play these games, one bit.
And as for the LARPing (Live Action Role-Playing), then I am at a loss here. I can't take that serious. Full-grown people dressing up in costumes and armor, brandishing latex weapons and throwing paper at one another to symbolize magic. What the... It is acceptable when children or young teens do it, but when people in their thirties with a house and family start doing it, you might as well just turn the key and admit to the ultimate defeat. LARPing is lame on an epic scale. And the way that it was portrayed in this movie, really didn't help to improve on that faltering image that it is.
What was good about the documentary was that you got to see the aspects of these people's obsession with role-playing and got to delve a little bit into their mindsets, who they were and what drove them on. But I have to say, again, that it was all painted out in a grotesque way to make role-playing gamers stand in a bad light.
At the end I was sort of disappointed by this movie, and it didn't really prove to have any entertainment value. If you want to be entertained by something from the role-playing milieu, then perhaps the 2002 movie "The Gamers" is a better choice.