When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler. Written by
The Massie Twins
After Guy Ritchie signed on as the director, he insisted that the two most common clichés of Sherlock Holmes, the "Elementary, my dear Watson" quip, and Holmes' deerstalker, be dropped entirely. See more »
Ambassador Standish is referred to as the American ambassador to the United Kingdom and the English Ambassador to America. Based on his accent, he is clearly the former. See more »
Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
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The Warner Bros, Village Roadshow, and Silver Pictures logos appear in cobblestones on a London street. See more »
As with most of Hollywood "blockbuster" cinema these days, the film suffers from an inescapable, one-dimensionalism. It is all about style; the cinematography, costuming, digital sets and effects, etc. are all top notch. As well, the quippy dialogue betrays a certain shallow, slick stylism that the script suffers from in general. However, far from being a clever distillation of the best of Holmes and Watson, the film instead suffers throughout from a post-modernistic reductionism that flattens our heroes into effete, world-weary caricatures of their literary counterparts.
In a nutshell, for Holmes enthusiasts particularly, the film--in spite of the stylishly depicted action sequences--is dull and soulless, almost as if bored with its own pointlessness. Telling of our times, perhaps, but far from great storytelling.
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