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Sherlock Holmes (2009)

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Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.

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(screenplay), (screenplay) | 4 more credits »
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Nominated for 2 Oscars. Another 10 wins & 25 nominations. See more awards »

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Cast

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Storyline

After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

Mark Strong is Blackwood See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, some startling images and a scene of suggestive material | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

25 December 2009 (USA)  »

Also Known As:

Шерлок Холмс  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

£3,081,072 (UK) (25 December 2009)

Gross:

$209,019,489 (USA) (23 April 2010)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Watson's line to Holmes, "You know that what you're drinking is for eye surgery?", is an obscure reference to Holmes's cocaine usage. At the time, cocaine was used as a topical anesthetic for eye surgery. In the stories, Holmes injects cocaine. See more »

Goofs

During the opening titles we see the front page of the Illustrated Paper. The sub-heading of the headline story reads "Sherlock Holmes Aides Police" instead of "Sherlock Holmes Aids Police". See more »

Quotes

[first lines]
Sherlock Holmes: [voice-over] Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
See more »

Crazy Credits

Scenes from the film become illustrations over the end credits. See more »

Connections

Referenced in AniMat's Reviews: Mr. Peabody & Sherman (2014) See more »

Soundtracks

German Dance No. 10 in D Major
from "Twelve German Dances"
Written by Ludwig van Beethoven (as Ludwig Van Beethoven)
Arranged by Rick Wentworth
Performed by The Isobel Griffiths Ensemble
Courtesy of Pathé Productions Limited
See more »

Frequently Asked Questions

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User Reviews

 
Indiana Holmes and the Masonic House of Lords
12 April 2010 | by (United States) – See all my reviews

Rarely have I hated a film as much as I did this rendition of Sherlock Holmes. Blame the script, and to some extent, the director for willingly filming this mess. They have completely misinterpreted one of the greatest characters ever, presenting Holmes as an Action Figure. What is it about Hollywood that thinks we want to see vast conspiracy cults, intent upon taking over the city, the world, the universe? Why do they continue to turn already entertaining stories into total mishmashes of roller coaster, smash-boom-bah adventures? Whether "Dragnet," or "Temple of Doom," or "National Treasure," it seems that the Suits in Hollywood want every film to imitate the original Indiana Jones with a measure of Da Vinci Code on the side.

Granted, I have been a major Holmes fan ever since seeing the Basil Rathbone version of "Hound of the Baskervilles" long ago and then reading "Red Headed League" in grade school. Since then, I've read the entire collection and enjoyed more Rathbone and the wonderful Jeremy Brett interpretations on PBS, as well as some other more forgettable "consulting detectives." What they all have in common-- what makes Holmes such a memorable character-- is their reliance of the cerebral to solve the crime; not the physical.

Ritchie gives us a few inklings into Holmes deductive reasoning, to show us that the little details can contribute to an overall portrait of who, what, when, etc. But he also more frequently has Holmes punching villains, brawling in the betting ring, dodging a massive ship's hull as it lumbers towards him in dry dock, leaping head first out an upper window of the House of Parliament into the Thames, and concluding with a literal cliff hanger atop the then under construction London Bridge. By coincidence, today my cable was also showing a recent James Bond film, and that film offered fewer explosions and violent encounters per minute than SH.

I love Robert Downey and Rachel McAdams is a fetching actress-- but both are wasted in this film. I am reminded of a comment made long ago about the filming of "Gone With the Wind" which more or less said, "The audience will forgive you for what you leave out, but they will have a hard time with what you put in." I'm sorry, but everything that was put into this mess was a travesty to everything that Sherlock Holmes has been for all these years. What were they thinking?

Cerebral Holmes=good; Action Holmes=BMW ad. Ugh.


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