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Sherlock Holmes (2009)

7.6
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Ratings: 7.6/10 from 365,832 users   Metascore: 57/100
Reviews: 606 user | 405 critic | 34 from Metacritic.com

Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.

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Title: Sherlock Holmes (2009)

Sherlock Holmes (2009) on IMDb 7.6/10

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Nominated for 2 Oscars. Another 9 wins & 22 nominations. See more awards »

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Cast

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Storyline

After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

Crime Will Pay See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, some startling images and a scene of suggestive material | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

25 December 2009 (USA)  »

Also Known As:

Шерлок Холмс  »

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

£3,081,072 (UK) (25 December 2009)

Gross:

$209,019,489 (USA) (23 April 2010)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A number of the film's details recall "The Adventure of the Mazarin Stone." The first is the name of the primary antagonist, Lord Blackwood, which parallels that of "Mazarin Stone" villain Count Negretto Sylvius (Negretto is Italian for black and Sylvius is Latin for woods). (As Holmes scholar W. W. Roberts notes, this is "presumably a private joke at the expense of Blackwood's Magazine, long and unavailingly courted by Conan Doyle in the 1880s.") Another common detail is the Crown Diamond, an alternate name for the Mazarin Stone, which hangs around Irene Adler's neck in the film. "The Mazarin Stone" is also the first story to mention that the 221B Baker Street apartment had multiple exits and a waiting room. The extra exit, which was through the bedroom, is employed by Holmes to follow Irene early in the film. See more »

Goofs

The date on the newspaper Holmes is holding after he was bailed from jail is Friday, November 19, 1891. November 19th was actually on a Thursday that year. See more »

Quotes

[first lines]
Sherlock Holmes: [voice-over] Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
See more »

Crazy Credits

The Warner Bros., Village Roadshow, and Silver Pictures logos are formed from cobblestones on a London street. See more »

Connections

Referenced in At the Movies: Episode #7.1 (2010) See more »

Soundtracks

The Rocky Road to Dublin
Written by Ciáran Bourke (as Ciarán Bourke), Ronnie Drew (as Ronald Drew), Luke Kelly and Barney McKenna
Arranged by The Dubliners (uncredited)
Performed by The Dubliners
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Actor, and Placement
4 January 2010 | by (Porto, Portugal) – See all my reviews

Somehow, i've always avoided the cinematic (or TV) presentations of Sherlock Holmes. I find the character fascinating, but i always felt it was more invested in literature, not cinema. His deductions, the way he surrounds the worlds he investigates are a feast for thinking minds. Even when the deductions are over the top (which happens often!) one can't stop smiling at the cleverness. More than that, the character is a perfect piece invested in a clever, irresistible and fascinating world. London. That part is visual, and a good ground to invest a cinematic world. But, unlike for example anything by Agatha Christie, Doyle's cleverness is rooted in pure deductive logic, not on the mechanics of the world. Notice that Christie's crimes are many times a matter of understanding how things happened, spatially (murder on the orient express is the zenith of that). I suppose Doyle formed his mind before cinema had any significant impact on how our minds work.

So the challenge for any modern filmmaker, and actor, who wants to update Holmes, is to make the character more cinematic, more appealing. Several tricks are used here, most of them successful, even if straightforward. One is the most obvious, making Holmes an action character (which actually is in its original dna, even though TV productions usually ignore that). This might be a flop, and make the version laughable, but by now there is a sense of irony and self awareness in Ritchie's films (sincer Lock Stock) that allows him to support a xxi century action figure in Holmes clothing that actually is watchable. A minor trick here is the association of the deduction with the very process of physical fighting, which creates some Matrix moments. Well, their watchable, though not particularly interesting. In the greater arc, there are good action sequences, because, as any competent action these days, considers the elements of the surrounding space, and uses them.

But there are two big things in this film, which take it to new levels of interest.

One is the acting. Jude Law is a clever guy, an interesting actor whose greatest quality is how he merges anonymously with the context he is intended to integrate. He willingly becomes a piece of a larger tapestry, and that really is something to look upon. There are not many actors who can claim they can do this competently. But the king of the game is Downey Jr. He is the gold piece in the puzzle of updating Holmes. There certainly will be a before-after Holmes character, with this film. The man is capable to work his performances on several directions, and each of them is a perfect link to its surroundings. So he gives in to Ritchie's demands, and introduces humour, irony, and self-awareness in the character, to make it usable for the director's winks at ironic action. He invests totally on the creation of a character who merges with the textures of the context, while being distinct from it. And while doing it, he folds us into his game, so we do everything with him, side by side. We deduce, we smile, we run, all with him. So, if the film hadn't other qualities, Downey Jr would still make it worthy, because he, alone, solves one the most basic problems with any film: to find a channel audiences can safely cross into the game someone (director) proposes. He is one of the best ever.

But there is another great thing here, which i suspect has a lot to do with several guys involved in the process of making the film. The result is an incredible sense of placement. London, XIXth century. All those dirty muddy streets, all the dirt. The fascination of the inner locations, namely the midget's laboratory. How those sets are usable, in the action scenes. That's all competent, more than competent. It's perfectly rendered, carefully photographed, it sounds overly artificial, but it's a matter of taste, i suppose. But what was really striking was the use of the London bridge. Notice how it is announced, early in the film, with a similar perspective to the one we'll get in the end. Than, the great sequence, when Irene Adler goes through the sewage, goes up, and we end up with a close up of her, in an unidentified location. The angle opens, we move away, and we are set up in the location for the final fight scene, which in its own merits is interesting enough. So, this was a unique way to actually use an establishing location, instead of merely showing it. I mean, how many films have shown the Eiffel towers? countless. How many actually use it? not so many. This is one of the best London cities we've seen lately.

My opinion: 4/5

http://www.7eyes.wordpress.com


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