Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler. Written by
The Massie Twins
The scene in the House of Lords shows a very large chamber, with lots of people, many standing behind the Lord Speaker on the Floor of the House, talking to each other until Lord Coward, the Home Secretary calls for their attention. In reality, the Lords' Chamber is fairly small. Peers must sit on their respective benches; they are not allowed to stand on the Floor of the House. The Speaker calls the House to order, not individual peers. In fact, as a government minister, Lord Coward would normally address the Lords from the government dispatch box, which can be seen on the Table of the House. Incidentally, the Table itself is incorrectly placed in front of the Lord Speaker. It should have been placed further down, with the Law Lords sitting between the Lord Speaker and the Table. See more »
Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
See more »
Scenes from the film become illustrations over the end credits. See more »
German Dance No. 10 in D Major
from "Twelve German Dances"
Written by Ludwig van Beethoven (as Ludwig Van Beethoven)
Arranged by Rick Wentworth
Performed by The Isobel Griffiths Ensemble
Courtesy of Pathé Productions Limited See more »
... not the movie, but the number of self-professed Holmes aficionados who apparently have no knowledge of Holmes. For the record, Holmes was a miserable, irresponsible drug addict who did indeed sleep on the floor, insult his best friend, experiment on his dog, and never ever wore a deerstalker's cap (at least, not until television was invented). He was a brawler who practiced martial arts and was as likely to slum around in the filthiest of rags as he was a suit.
It wasn't until after Doctor Watson took him in hand that he truly refined himself and became a "respectable" member of society. And yes, we can tell that this movie takes place THAT early in their relationship because Watson has not yet married his wife (the retconning did annoy me, too, by the way, but you just can't avoid a little re-imagining here and there).
Speaking of unavoidable, Irene Adler, Holmes' one uncapturable (is that a word?), simply had to be cast as a potential love interest. The flirting, the romance, and the near-make-out session were irresistible to the director (and to all of the audience who're honest with themselves).
That being said, I felt Robert Downey, Jr. played Sherlock Holmes to perfection. His characteristic caustic attitude towards Lestrade and even Watson at times was exactly how I'd imagine him. He gives several summations of his observations and deductions that brought Holmes to life in an almost unparalleled way. His fight scenes (preceded the first few times by superhuman calculations) show both the mental and physical sides of Holmes in ways that Watson's notes can't quite convey, but at which they constantly hint.
As for Watson himself, Jude Law delivered a wonderful performance. I was a little skeptical of how well he fought, given Watson's wartime injury, but his character and demeanor were entirely on the nose. His loyalty to Holmes despite his frustrations with him could not have been captured more expertly, I feel. No one, no matter how patient or forgiving, could endure Holmes forever without the occasional confrontation. The original Holmes, after all, was not above insulting his best friend or even deriding his deductive capabilities at times. Nevertheless, Watson never could abandon his friend in his time of need.
This version (or vision, if you will) of Sir Arthur Conan Doyle's greatest creation may be more swashbuckling, more thrilling, and more edgy than any other incarnation, but that doesn't make it any less faithful to the original. Aside from a little revisionist history in the cases of the female leads, nothing is that far out of the ordinary; and no amount of references to Madonna will change that.
830 of 1,014 people found this review helpful.
Was this review helpful to you?