Sherlock Holmes (2009)

Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.

Director:

Guy Ritchie

Writers:

Michael Robert Johnson (screenplay), Anthony Peckham (screenplay),

Stars:

Robert Downey Jr., Jude Law, Rachel McAdams

Nominated for 2 Oscars. Another 7 wins & 20 nominations.

Cast

Cast overview, first billed only:
Robert Downey Jr.	...	Sherlock Holmes
Jude Law	...	Dr. John Watson
Rachel McAdams	...	Irene Adler
Mark Strong	...	Lord Blackwood
Eddie Marsan	...	Inspector Lestrade
Robert Maillet	...	Dredger
Geraldine James	...	Mrs. Hudson
Kelly Reilly	...	Mary Morstan
William Houston	...	Constable Clark
Hans Matheson	...	Lord Coward
James Fox	...	Sir Thomas Rotheram
William Hope	...	Ambassador Standish
Clive Russell	...	Captain Tanner
Oran Gurel	...	Reordan
David Garrick	...	McMurdo

Storyline

After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.

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Plot Keywords:

partner | detective | scotland yard | black magic | death | 

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Taglines:

Mark Strong is Blackwood

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Genres:

Action | Adventure | Crime | Mystery | Thriller

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Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, some startling images and a scene of suggestive material

Details

Official Sites:

Official Facebook Warner Bros. [fr]

Country:

USA Germany

Language:

English French

Release Date:

25 December 2009 (USA)

Also Known As:

Шерлок Холмс

Filming Locations:

Chatham Historic Dockyard, Chatham, Kent, England, UK

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend:

£3,081,072 (UK) (25 December 2009)

Gross:

$209,019,489 (USA) (23 April 2010)

Company Credits

Production Co:

Warner Bros, Village Roadshow Pictures, Silver Pictures

Technical Specs

Runtime:

128 min

Sound Mix:

Dolby Digital SDDS DTS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When Sherlock says "Now that you're sitting comfortably, I shall begin" to begin explaining Blackwood's plot, it is a reference to a BBC children's radio program from the 1950s, Listen With Mother, which was famous for its opening line "Are you sitting comfortably? Then I'll begin."

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Goofs

During the fight on the bridge, Holmes uses a net to hurl away from Lord Blackwood. In the next shot, the net disappears.

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Quotes

[first lines]
Sherlock Holmes: [voice-over] Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.

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Crazy Credits

Scenes from the film become illustrations over the end credits.

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Connections

References The Adventures of Sherlock Holmes (1939)

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Soundtracks

"The Rocky Road to Dublin"
Written by Ciáran Bourke (as Ciarán Bourke), Ronnie Drew (as Ronald Drew), Luke Kelly and Barney McKenna
Arranged by The Dubliners (uncredited)
Performed by The Dubliners
Courtesy of Sanctuary Records Group Ltd.
Under license from Universal Music Enterprises

User Reviews

'Sherlock Holmes' is a Fast-Paced Whirlwind Adventure

-----It came as a surprise when Guy Ritchie was chosen as the Director of 'Sherlock Holmes.' Known primarily for his work on indie crime films, such as 'Snatch' or last year's 'RocknRolla,' Ritchie had never taken on a mainstream franchise film, the likes of which 'Sherlock Holmes' promised to be. Thankfully, Ritchie was able to mesh the two genres on some level, with his trademark style of film-making ever present in his latest outing. The result is a film that will surely prove the most popular take on the character outside of Conan Doyle's original novels, and will also likely spawn a franchise.

-----Sherlock Holmes and his partner Dr. Watson have been successfully solving cases throughout England for years. Their most recent case was that of Lord Blackwood, a man who murdered in the name of his black magic. Finally hanged for his crimes, it comes as an unpleasant surprise when he literally rises from his grave. And so it is up to Holmes and Watson to find him and stop him before his killing spree devours the whole of England.

-----Robert Downey Jr. is right at home in the role of the infamous detective. Swapping out futuristic armor for a pipe and fiddle, he plays another character with the wit and confidence of his Tony Stark persona in 'Iron Man.' This makes sense because, to some degree, what is 'Sherlock Holmes' if not merely the Tony Stark character set back about a hundred years? Regardless, Downey Jr. is excellent, providing an effervescent wit and supreme charm to his latest role. Jude Law plays his right hand man, Dr. John Watson, in a role much smarter than past incarnations of the Watson character. The two are more equals than hero and sidekick, and their chemistry is indelible. Even when the narrative becomes a bit erratic, the pleasure of seeing the two stars' continuous verbal quarrels is worth the price of admission alone. Together they inspire numerous laughs and clever rebuttals to an unrelenting degree, allowing many of the jokes to pass unrealized, saved for the treat of a second viewing.

-----'Sherlock Holmes' has a method completely reminiscent of Director Guy Ritchie's earlier films. In the style of show first-explain later, Ritchie has effectively applied his trademark fast cuts to the mind of his lead protagonist. Much as Watson is often catching up to Holmes' various schemes, so must the audience sit in question for a large portion of the film, waiting for Holmes to reveal his motivations. Particularly similar to his work on last year's entertaining 'RocknRolla,' along with many of his other films, Ritchie takes the first hour of his endeavors laying out the dots to be connected in his lengthy but fast-paced crescendo throughout the second half of the film. With 'Holmes,' he has compromised nothing, rather managed to find a better balance between build up and climax. With various fistfight intervals dissecting the chaotic mystery, Ritchie keeps the audience entertained even when they're unsure about the direction of the plot. That being said, many viewers will begin to question their purchase throughout the films first half hour, as the story puzzles more than entertains. But rest assured, a satisfying finale follows, with so many pieces coming together that a second viewing is a necessity to begin dissecting the intricacies of the case being solved, if that only means better understanding Holmes' course of action.

-----Visually Ritchie has constructed a film in the shadows, only occasionally getting out into spanning shots of daylight England. This, like the rest of the film, settles into place as the film develops. His infamous lightning cuts allow no slow moments, even when the pace would typically meander in the hands of a lesser Director. Holmes also riddles off explanations so rapidly that audiences can hardly pick up on all of what he is saying, or all of the nuanced humor during the interplay between Watson and him. Unfortunately much of the laugh-out-loud humor as been divulged in the trailer, but a film should not be penalized for the faults of its advertising campaign. The musical score is supplemental to the frantic convolutions of the film's earlier scenes, providing a spirited tune that rides the energy of fiddling and poses as anything but generic. The locations are likewise smart, the costumes are admirable, and the effects are gritty, proving to be another benefit of having an indie Director helm an event film. Ultimately there are no blatant shortcuts in the way of computer generation, only clever sets and a brilliant Art Direction.

-----'Sherlock Holmes' is refreshingly less conventional than one might guess, even if some viewers may find themselves a bit lost by Ritchie's unforgiving cuts and unrelenting energy. It jumps right into the tale, no origins told and no flashbacks necessary, relying on Holmes renowned history. Furthermore, many subtle elements of the various characters' past interactions are left for the audience to deduce in the fashion of Sherlock Holmes himself. And while the film may not be the grand epic some may have hoped for, its sheer entertainment value is undeniable. From the moment the credits roll it's apparent that 'Sherlock Holmes' cannot be full appreciated in one screening, and will likely grow in favor upon further viewings. It further presents itself as a gem of home entertainment in the long run, as a film that can be enjoyed on any occasion in any company, even with its hefty two-hour-plus runtime. This is a byproduct of the wonderfully gritty action Ritchie brings to the tale, and the uncompromising portrayal of the classic characters by the films superb leads. 'Sherlock Holmes' won't be quite what you expect, and you may even be dismayed by the films feisty narrative style, but more often than not you'll be completely entertained by the characters on screen in this fun addition to the loaded Holiday season.