Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
People are living their lives remotely from the safety of their own homes via robotic surrogates -- sexy, physically perfect mechanical representations of themselves. It's an ideal world where crime, pain, fear and consequences don't exist. When the first murder in years jolts this utopia, FBI agent Greer discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery. Written by
Some scenes were filmed at the Draper Factory in Hopedale, Massachusetts. See more »
When a young man is killed at UC San Diego, his body is loaded into an ambulance. By California state law, it is Coroner's Office vehicles, not ambulances, who carry corpses. However, the movie is set in the future when that may have changed. See more »
Look at yourselves. Unplug from your chairs, get up and look in the mirror. What you see is how God made you. We're not meant to experience the world through a machine.
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What will the future look like? ... Maybe like this!
I basically agree with Ebert's review on this one. This is definitely only a simple action flick, but it is well made, the acting is decent, the f/x very good, the film is never tacky, boring or overtly see-through. Enough to keep e viewer interested and entertained while lounging on a couch eating popcorn and drinking beer on a Sunday afternoon. What's wrong with that? In addition, it poses a couple of interesting questions about our current and especially future relationship with machines, the morality of it, etc. These questions will become more and more important as each day passes, and even though the movie does not even attempt to analyze or answer them, it is not unimportant to have posed them. A classical, typically Hollywood-ian ending offers no real solutions, all the wrong certainties and faulty answers, albeit populist ones.
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