Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Lincoln Six Echo is just like everyone else - he's waiting to go to the Island, the only place left in the world to actually live a life. Thousands of people stay at a facility waiting to ... See full summary »
In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
People are living their lives remotely from the safety of their own homes via robotic surrogates -- sexy, physically perfect mechanical representations of themselves. It's an ideal world where crime, pain, fear and consequences don't exist. When the first murder in years jolts this utopia, FBI agent Greer discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery. Written by
The VSI building was depicted by using a digitally altered version of the Dallas Bank of America Plaza (informally known as "The Green Building"). The interior of the building is actually in Cambridge, MA and is home to Genzyme and Momenta Pharmaceuticals. It was designed by Steven Ehrlich Architects & SMMA. See more »
In the ending scene when Bruce Willis' character is holding his wife in his arms, the closeup scene shows his right arm in her hair and his other arm around her back. In the very next shot as the camera backs up, the hands are switched. See more »
Look at yourselves. Unplug from your chairs, get up and look in the mirror. What you see is how God made you. We're not meant to experience the world through a machine.
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SURROGATES presents a strong sci fi storyline that isn't so convoluted that it exhausts the viewer from mental analysis of what's going on. It also is crafted well so that unlike a number of sci fi action movies, the balance between the action and the human relationship components are in sync. This hybrid sci fi movie includes elements from I, ROBOT (2004) that introduced many of the similar robotic images, THE MATRIX (1999) that introduced the notion of virtual reality plug ins, ESCAPE FROM NEW YORK (1981) that introduced a post-modern society isolated from the rest of humanity, and FAHRENHEIT 451 (1966) that presented the dystopic future angst of a couple separated by technology. Bruce Willis continues at the top of his game in this movie bringing an even more subdued and sympathetic character to the screen. The action is compelling and strong, the technological premise of this movie is well executed, and the human/surrogate disconnect is remarkably engaging on an emotional level. Unfortunately, in somewhat of a less than powerful and poignant delivery, unlike FAHRENHEIT 451, SURROGATES ultimately has as its core the more traditional and perhaps predictable resolution and tidying up of lose ends favoring a more conservative and pedestrian movie overall.
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