Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Lincoln Six-Echo is a resident of a seemingly Utopian but contained facility in the year 2019. Like all of the inhabitants of this carefully controlled environment, Lincoln hopes to be ... See full summary »
In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
People are living their lives remotely from the safety of their own homes via robotic surrogates -- sexy, physically perfect mechanical representations of themselves. It's an ideal world where crime, pain, fear and consequences don't exist. When the first murder in years jolts this utopia, FBI agent Greer discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery. Written by
A close-up shot of Strickland's FBI file shows his date of birth as 21 December, 1969 and birthplace as Lynn, Massachusetts. These are also the real date of birth and birthplace of actor Jack Noseworthy who plays Strickland in the film. See more »
In the elevator going to see Dr. Canter, Greer is standing next to the bodyguard and glances over to see a gun under the bodyguard's jacket. In the following shot, no one has moved and as they begin to exit the elevator, Greer is now behind the bodyguard and would not have been able to see the gun from there. See more »
Look at yourselves. Unplug from your chairs, get up and look in the mirror. What you see is how God made you. We're not meant to experience the world through a machine.
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SURROGATES presents a strong sci fi storyline that isn't so convoluted that it exhausts the viewer from mental analysis of what's going on. It also is crafted well so that unlike a number of sci fi action movies, the balance between the action and the human relationship components are in sync. This hybrid sci fi movie includes elements from I, ROBOT (2004) that introduced many of the similar robotic images, THE MATRIX (1999) that introduced the notion of virtual reality plug ins, ESCAPE FROM NEW YORK (1981) that introduced a post-modern society isolated from the rest of humanity, and FAHRENHEIT 451 (1966) that presented the dystopic future angst of a couple separated by technology. Bruce Willis continues at the top of his game in this movie bringing an even more subdued and sympathetic character to the screen. The action is compelling and strong, the technological premise of this movie is well executed, and the human/surrogate disconnect is remarkably engaging on an emotional level. Unfortunately, in somewhat of a less than powerful and poignant delivery, unlike FAHRENHEIT 451, SURROGATES ultimately has as its core the more traditional and perhaps predictable resolution and tidying up of lose ends favoring a more conservative and pedestrian movie overall.
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