Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
People are living their lives remotely from the safety of their own homes via robotic surrogates -- sexy, physically perfect mechanical representations of themselves. It's an ideal world where crime, pain, fear and consequences don't exist. When the first murder in years jolts this utopia, FBI agent Greer discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery. Written by
In the "beauty shop" where Maggie works a device can be seen for holding the "faces" of surrogates, the device is actually a Gorillapod, a flexible tripod for cameras. See more »
When Bruce Willis and Radha Mitchell's characters look at the destroyed surrogates, the cop tells them they should go talk to the owners. The next shot is an over head of the Zakim Bridge, but the angle shows the TD Bank Garden on the right side implying they are headed south on the bridge. The Zakim is located north of Fort Point Channel, thus, you wouldn't ever travel southbound if you're leaving Fort Point Channel. The Channel is a body of water that borders South Boston. See more »
Look at yourselves. Unplug from your chairs, get up and look in the mirror. What you see is how God made you. We're not meant to experience the world through a machine.
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SURROGATES presents a strong sci fi storyline that isn't so convoluted that it exhausts the viewer from mental analysis of what's going on. It also is crafted well so that unlike a number of sci fi action movies, the balance between the action and the human relationship components are in sync. This hybrid sci fi movie includes elements from I, ROBOT (2004) that introduced many of the similar robotic images, THE MATRIX (1999) that introduced the notion of virtual reality plug ins, ESCAPE FROM NEW YORK (1981) that introduced a post-modern society isolated from the rest of humanity, and FAHRENHEIT 451 (1966) that presented the dystopic future angst of a couple separated by technology. Bruce Willis continues at the top of his game in this movie bringing an even more subdued and sympathetic character to the screen. The action is compelling and strong, the technological premise of this movie is well executed, and the human/surrogate disconnect is remarkably engaging on an emotional level. Unfortunately, in somewhat of a less than powerful and poignant delivery, unlike FAHRENHEIT 451, SURROGATES ultimately has as its core the more traditional and perhaps predictable resolution and tidying up of lose ends favoring a more conservative and pedestrian movie overall.
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