Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
People are living their lives remotely from the safety of their own homes via robotic surrogates -- sexy, physically perfect mechanical representations of themselves. It's an ideal world where crime, pain, fear and consequences don't exist. When the first murder in years jolts this utopia, FBI agent Greer discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery. Written by
In the "beauty shop" where Maggie works a device can be seen for holding the "faces" of surrogates, the device is actually a Gorillapod, a flexible tripod for cameras. See more »
When Peters is being chased by the car and jumps off the phone booth to the building and back to the street, the actress is wearing high-heeled pumps, but the stunt-woman is obviously wearing athletic flats. This is seen again when she jumps onto the bus. See more »
Look at yourselves. Unplug from your chairs, get up and look in the mirror. What you see is how God made you. We're not meant to experience the world through a machine.
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SURROGATES presents a strong sci fi storyline that isn't so convoluted that it exhausts the viewer from mental analysis of what's going on. It also is crafted well so that unlike a number of sci fi action movies, the balance between the action and the human relationship components are in sync. This hybrid sci fi movie includes elements from I, ROBOT (2004) that introduced many of the similar robotic images, THE MATRIX (1999) that introduced the notion of virtual reality plug ins, ESCAPE FROM NEW YORK (1981) that introduced a post-modern society isolated from the rest of humanity, and FAHRENHEIT 451 (1966) that presented the dystopic future angst of a couple separated by technology. Bruce Willis continues at the top of his game in this movie bringing an even more subdued and sympathetic character to the screen. The action is compelling and strong, the technological premise of this movie is well executed, and the human/surrogate disconnect is remarkably engaging on an emotional level. Unfortunately, in somewhat of a less than powerful and poignant delivery, unlike FAHRENHEIT 451, SURROGATES ultimately has as its core the more traditional and perhaps predictable resolution and tidying up of lose ends favoring a more conservative and pedestrian movie overall.
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