Hunger is a dark exploration into the breakdown of humanity. How far would you go to survive in the most extreme of circumstances? Five strangers awaken to find themselves trapped in an ... See full summary »
Hunger follows life in the Maze Prison, Northern Ireland with an interpretation of the highly emotive events surrounding the 1981 IRA Hunger Strike, led by Bobby Sands. With an epic eye for detail, the film provides a timely exploration of what happens when body and mind are pushed to the uttermost limit. Written by
The conversation between Sands and a Catholic priest was filmed in one continuous 17-minute, 10-second take on the first day of filming in Northern Ireland. Michael Fassbender and co-star Liam Cunningham needed 4 takes to get it right. See more »
Raymond Lohan's Ford Granada is a Mk2 Facelift, which was released in winter 1981 and would've appeared on Irish roads in 1982. See more »
Father Dominic Moran:
Priest: "I want to know whether your intent is just purely to commit suicide here."
Bobby Sands: "You want me to argue about the morality of what I'm about to do and whether it's really suicide or not? For one, you're calling it suicide. I call it murder. And that's just another wee difference between us two. We're both Catholic men, both Republicans. But while you were poaching salmon in beautiful Kilrea, we were being burnt out of our house in Rathcoole. Similar in many ways, Dom, but life ...
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The movie is a timely piece of film-making in this era of Abu Ghraib and Guantanamo Bay. I have to admit my prejudice for the film because of my past as one of the prisoners depicted in the film. Long Kesh or the Maze as the British infamously renamed it was the Abu Ghraib of its day. One stark difference though: unlike Abu Ghraib, no one has ever been charged with the horror and relentless torture inflicted upon naked, defenceless prisoners in Long Kesh. The film is uncompromising in its examination of the events leading up to and beyond the Hunger Strike. Michael Fassbender is frighteningly real. But I will leave it up to the words of Peter Bradshaw in the Guardian to sum it up: 'Hunger is raw, powerful film-making and an urgent reminder of this uniquely ugly, tragic and dysfunctional period in British and Irish history '
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