Hunger (2008)

Irish republican Bobby Sands leads the inmates of a Northern Irish prison in a hunger strike.

Director:

Steve McQueen

Writers:

Enda Walsh, Steve McQueen

Stars:

Stuart Graham, Laine Megaw, Brian Milligan

Nominated for 1 BAFTA Film Award. Another 36 wins & 21 nominations.

Cast

Cast overview, first billed only:
Stuart Graham	...	Raymond Lohan
Laine Megaw	...	Raymond's Wife
Brian Milligan	...	Davey Gillen
Liam McMahon	...	Gerry Campbell
Karen Hassan	...	Gerry's Girlfriend
Michael Fassbender	...	Bobby Sands
Frank McCusker	...	The Governor
Lalor Roddy	...	William
Helen Madden	...	Mrs. Sands
Des McAleer	...	Mr. Sands
Geoff Gatt	...	Bearded Man
Rory Mullen	...	Priest
Ben Peel	...	Riot Prison Offficer Stephen Graves
Helena Bereen	...	Raymond's Mother
Paddy Jenkins	...	Hitman

Storyline

Hunger follows life in the Maze Prison, Northern Ireland with an interpretation of the highly emotive events surrounding the 1981 IRA Hunger Strike, led by Bobby Sands. With an epic eye for detail, the film provides a timely exploration of what happens when body and mind are pushed to the uttermost limit.

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Plot Keywords:

hunger | prison | irish | hunger strike | ireland | 

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Taglines:

A compelling and unforgettable portrayal of life within the maze prison at the time of 1981 IRA hunger strike.

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Genres:

Biography | Drama | History

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Certificate:

Not Rated

Details

Official Sites:

MK2 [fr] Official site [hu]

Country:

UK Ireland

Language:

English Irish

Release Date:

31 October 2008 (UK)

Also Known As:

Glad

Box Office

Opening Weekend:

$1,980 (USA) (5 December 2008)

Gross:

$154,084 (USA) (5 June 2009)

Company Credits

Production Co:

Film4, Channel Four Film, Northern Ireland Screen

Technical Specs

Runtime:

96 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The second medical attendant (one with mustache) who takes care of Bobby Sands in the hospital, has a ''UDA'' tattoo on his left hand. UDA is shortening for Ulster Defence Association, a loyalist paramilitary organization in Northern Ireland.

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Goofs

Raymond Lohan's car - a Ford Granada - is a Mk2 Facelift, which wasn't released until winter 1981 and probably wouldn't be seen on Irish roads until '82.

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Quotes

Father Dominic Moran: [offering Sands a cigarette] Bit of a break from smokin' the Bible, eh?
Bobby Sands: [agrees]
Father Dominic Moran: Anyone work out which book is the best smoke?
Bobby Sands: We only smoke the Lamentations. A right miserable cigarette.

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Connections

Referenced in At the Movies: Summer Special 2008/09 (2008)

User Reviews

Provocative, vivid and engrossing, but at times it gets close to hagiography

Hunger is a powerful and disturbing feature-film debut for the visual artist Steve McQueen. The film takes place almost exclusively within the confines of a high-security prison in Northern Ireland, where many members of the Irish Republican Army are interned. The small confines of the prison serve as a microcosm of the wider Troubles in Ireland. The conflict between the British wardens and the Irish inmates escalates steadily, with each indignity and abuse inevitably leading to another.

The conditions revealed in the prison are deeply disturbing, with the inmates fouling the jail with effluent and the guards responding with ritual humiliation and savage beatings. McQueen's camera is an unflinching witness to the squalor and cruelty, and with the vivid imagery and forceful sounds it is almost possible to smell and feel the frightening environs of the film.

Although the focus of the film ultimately falls on Bobby Sands, the IRA member and inmate who leads a fatal hunger strike within the prison, we are not introduced to the main protagonist until a third of the way through the film. This approach works remarkably well in setting the scene for the main narrative, but it is disappointing that the different perspectives on each side are somewhat sidelined thereafter, as Sands's personal struggle takes centre stage.

The terrible squalor of the prison cells provides some of the film's most powerful images, but it is the second third of the film that is the most gripping, as Sands converses and argues with a visiting Catholic priest. An unmoving camera is trained upon these two protagonists for what must be nearly half an hour, as Sands reveals his plan for a new hunger strike and defends his methods of achieving political goals, ultimately berating what he sees as the priest's despondency and inertia. This is an utterly compelling piece of cinema.

However, at the end of this gripping conversation, the director sees fit to insert a somewhat tortured analogy as Sands recalls for the priest a defining moment of his boyhood. This is an unnecessary effort to inject conventional beauty into Sands's story, and sits awkwardly with the general tone of the film.

In the final third of the film, the hunger strike is depicted in by now characteristically brutal detail. Lead man Michael Fassbender clearly underwent a very painful regime to portray the wasting and withering of Bobby Sands in his last days. Unfortunately, amidst the impressive attention to detail, McQueen goes further in romanticising his main protagonist through a series of flashbacks to Sands's childhood. This again jars with the realistic feel of the rest of the film, and points to McQueen's obsession with Sands, which he has admitted to having had since a young age.

Although at times steering a little close to hagiography, McQueen's directorial debut is still a bold and engrossing film that cultivates an understanding for the very different people caught in up in the Troubles in Northern Ireland. It will be fascinating to see what his next project will be.