Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Hunger follows life in the Maze Prison, Northern Ireland with an interpretation of the highly emotive events surrounding the 1981 IRA Hunger Strike, led by Bobby Sands. With an epic eye for detail, the film provides a timely exploration of what happens when body and mind are pushed to the uttermost limit. Written by
Raymond Lohan's Ford Granada is a Mk2 Facelift, which was released in winter 1981 and would've appeared on Irish roads in 1982. See more »
Father Dominic Moran:
Priest: "I want to know whether your intent is just purely to commit suicide here."
Bobby Sands: "You want me to argue about the morality of what I'm about to do and whether it's really suicide or not? For one, you're calling it suicide. I call it murder. And that's just another wee difference between us two. We're both Catholic men, both Republicans. But while you were poaching salmon in beautiful Kilrea, we were being burnt out of our house in Rathcoole. Similar in many ways, Dom, but life ...
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One of the most beautiful and innovative films I've seen in years
This is a really amazing story told in a new kind of cinematic style that is powerful and requires few words at all to convey the depth and breadth of ideas and emotions. It has some weird plot shifts in that it follows one set of protagonists and then shifts to the Bobby Sands character but it didn't bother me at all because you come to realize that all of the prisoners in the story are essentially interchangeable and that in fact in a different country, under different political conditions "it could be you or me."
The hieroglyphic storytelling is so masterful, the director can create an entire turn of a phrase in a single shot just with a simple shallow rack focus.
Performances are stunning and require a lot of self-sacrifice on the part of the actors. Over all it is one of the most beautiful (in all its nightmareishness) and innovative films I have seen in many years.
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