Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him ...
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Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Richie Eisenberg & Gary Fischer were child stars in the 80's. Now in their 40's, they're giving their big dream another chance. The problem, Hollywood has changed and they both struggle to make sense of a business they once conquered.
Richard Steven Horvitz,
Jenny, who has rejected her tumultuous family for a more ordered life, gets a surprise visit from her sister Lucy at a critical time - right at the moment where she's feels ready to commit to her longtime fiancé.
Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him that he is not really happy. Gabriel decides that he wants to write a play about the sorry state of his life. He quits his job, gets a pushy literary agent friend to represent him and starts writing. Although his marriage ends in a divorce, the play is success and although his life is different than it was, he is happier. Written by
The movie uses "The In Crowd" by the Ramsey Lewis Trio in the soundtrack. However, the closing credits incorrectly cite the song as "In The Crowd". See more »
[listening to self on dictaphone]
Oh wow! Until now is the only time I ever felt sure about anything. My whole life never seems to catch up to that moment. But to be unsure, well, I don't know. What if there's no reason in your life to feel shitty, but you do anyway? No enemy to point at. What do you do then?
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When You Wake Up Feeling Old
Written by Jeff Tweedy (as Jeff Scott Tweedy)
Performed by Wilco
Published by Warner Chappell
Courtesy of Warner Strategic See more »
I guess it all depends on what one brings to a movie. If I were only going to watch this film once, I would miss most of it. On a film binge, long vacation, I watched 2 other films of other genres before I got to _Multiple Sarcasms_. I wouldn't classify it as a comedy and I got unsorted mush. I even stopped in the middle and went to bed. The next morning I decided to see it through. I will watch it again. Scenes of exceptional beauty, characters that are real, believable (uh, is this a movie or did I get into somebody else's head). Terms one learned at school, well, for example about theater -- for example, "vraisemblance" -- help to "defamiliarize the text". We may have seen movies with bits, tropes, business, cutting and editing like this before, but this one is still original, subtle, and inviting with sufficient refractions with stage and staging to place us both inside it and outside it. Very near the end of the film, the writer places himself as an actor on the stage, then also to one side as editor/actor critiquing the writer/actor. This was not over done. Life into stage or film is very strange and wonderful. There are characters playing the role of audience members whom we have gotten to know during the course of the film. The music was excellent, the scenes, the character development of supporting characters was fine (getting good and drunk with "Eric"). We could probe the messiness of the protagonist's life "as life" with the "vraisemblance" probe (Living out of a suitcase? His dwelling was no suitcase.) By the end of the film we have seen a man's life shuddering into chaos as he takes up writing, and the miracle of the process is that a beautiful coherence emerges. He has become more grounded, centered and real. The process works! I should write a play. This is pretty good film alchemy. India Ennenga's "Liz" was radiant.
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