A Casa de Alice (2007)

Director:

Chico Teixeira

Writer:

Chico Teixeira (writer)

Release Date:

15 November 2007 (Brazil)

Genre:

Drama

Tagline:

In every house you never know what secrets lie behind the front door

Plot:

Alice, married for the last 20 years to a taxi driver, works in a beauty parlour, has three children...

Plot Keywords:

Beauty Parlor | São Paulo | Character Name In Title

Awards:

12 wins & 3 nominations

Cast

Carla Ribas	...	Alice
Berta Zemel	...	Dona Jacira
Vinicius Zinn	...	Lucas
Ricardo Vilaça	...	Edinho
Felipe Massuia	...	Junior
Zé Carlos Machado	...	Lindomar
Renata Zhaneta	...	Carmen
Luciano Quirino	...	Nilson
Mariana Leighton	...	Thais
Dirce Couto	...	Neide
Jorge Cerruti	...	Toninho
Talita Craveiro	...	Vanessinha
Elias Andreato	...	Seu Gabriel
Claudio Jaborandy	...	Evanildo
rest of cast listed alphabetically:
Cícero Augusto	...	Carlinhos Abranches
Thiago de Mello	...	Dr. Olavo - the optometrist
Monicah Duarte	...	Hairdresser
Francisco Gaspar	...	Hairdresser
Roberto Leite	...	Taxi passenger
Marcos Pedroso	...	Client in car

Also Known As:

Alice's House (International: English title)

Runtime:

Brazil:92 min

Country:

Brazil

Language:

Portuguese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Argentina:13 | Brazil:12 | USA:Unrated

Filming Locations:

São Paulo, São Paulo, Brazil

Company:

Superfilmes

Trivia:

The film was shot entirely on location in São Paulo, Brazil, using a real apartment and a real beauty salon.

Overrated investigation on the middle-class has some fine acting

"A Casa de Alice", the first feature film by documentarian Chico Teixeira, wouldn't be far from your regular soap opera if not for the way the camera investigates the characters -- instead of concentrating on facial expressions and dialog, it's the body language that interests Teixeira and that ultimately gives us the insight on the various characters.

There's nothing about the story/plot/characters that you haven't seen before, except maybe that ALL the characters are ambiguous: Alice and her husband have affairs on the side; Alice's old mother has ailing eyesight but is the only one who sees every sordid thing that's going about; Alice's oldest son, Edinho, is a G.I. who's a male prostitute in his spare time; the middle son, Lucas, is granny's favorite but also a petty thief (that includes stealing from granny); angel-faced Junior, the youngest son, knows how to get the things he wants by being calculatedly adorable and cute. The ambiguity also applies to the supporting characters, like innocent-looking devilish neighbor Thais, or Alice's soft-talk lover Nilson.

There's serious misery-index in the film: everyone's frustrated and unhappy and in love with people who don't love them back. The single exception -- the one requited love -- is the urgent, possessive, alternately delicate and passionate bond (it's not clear whether actual intercourse is involved, though there are strong suggestions) between brothers Edinho and Junior. The camera lingers three or four extra beats on their mutual gazing and caresses and obvious horniness for each other -- so much so that their relationship nearly takes over the film.

The acting is fine all around, and Carla Ribas goes all the way in her bravura performance (she has won an array of awards for it), though she isn't quite convincing in the physique du role department: we're always aware she obviously doesn't come from the same world as Alice -- her fine skin, her voice, her accent belong to a higher social class. Theatrical legend Berta Zemel, as the elderly mother, shows all her skill in an almost silent part. But the finest, most thrilling acting comes from the three boys (all of them first-timers) who play the sons and nail their shadowy characters with perfection, with not one false note: they're the main reason to see "Alice".

The final third and the denouement are impossibly contrived (I don't want to enter spoiler territory); in such a realistic slice-of-life piece, it comes as a real disappointment. Anyway, the film may serve as a curio for non-Brazilian audiences who wrongly identify Brazilian films solely with favelas, drugs or gory violence -- Brazilian films about the struggles, dreams and frustrations of the middle classes are a century-long tradition and a big part of Brazilian cinema. Connoisseurs will certainly recall many that have more strength, insight and depth than this intermittently interesting, slow, grim, overrated and undeniably finely-acted "A Casa de Alice".