Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
Having bought a model ship, the Unicorn, for a pound off a market stall Tintin is initially puzzled that the sinister Mr. Sakharine should be so eager to buy it from him, resorting to murder and kidnapping Tintin - accompanied by his marvellous dog Snowy - to join him and his gang as they sail to Morocco on an old cargo ship. Sakharine has bribed the crew to revolt against the ship's master, drunken Captain Haddock, but Tintin, Snowy and Haddock escape, arriving in Morocco at the court of a sheikh, who also has a model of the Unicorn. Haddock tells Tintin that over three hundred years earlier his ancestor Sir Francis Haddock was forced to scuttle the original Unicorn when attacked by a piratical forebear of Sakharine but he managed to save his treasure and provide clues to its location in three separate scrolls, all of which were secreted in models of the Unicorn. Tintin and Sakharine have one each and the villain intends to use the glass-shattering top Cs of operatic soprano the ... Written by
don @ minifie-1
When the two ships are fighting in Haddocks desert hallucination and the top of the masts get tangled, the ship swinging over the deck of the other is an obvious reference to the 'Pirate Ship' ride frequently seen in UK (and probably elsewhere) fairgrounds. See more »
The photographers shooting Bianca Castafiore use cameras like the Graflex Speed Graphic. While it was correct that the image on the ground glass focusing screen would be upside down, that image could only be seen if the film (sheet film holder) was not in place. In normal use, the photographer would have likely used the rangefinder and the top-mounted wire frame viewer - never looking at the ground glass focusing screen. See more »
In the opening credits, Tintin and Snowy are on the roof of a moving train which passes some iconic scenes from the comic books. They pass the Black Island from "The Black Island", then the moon rocket from "Destination Moon" and "Explorers on the Moon", and finally the ancient astronaut statue from "Flight 714". See more »
"The Adventures of Tintin" is quintessentially the perfect family film: incredibly joyous, thrilling and comically genius adventure.
Before his passing in 1983, Hergé said that if any filmmaker was to adapt his collection of timeless tales following the adventures of a Belgian reporter to the big screen, Steven Spielberg was the only man for the job, and after two decades of trial and error, the cinematic version of Tintin has finally reached our screens with the desired director at its helm. Alongside Spielberg sits Lord of the Rings (2001-2003) maestro Peter Jackson as producer and three of Britain's brightest writers (Steven Moffat, Edgar Wright and Joe Cornish) who have that almost impossible task of translating the stories from comic strips to 35mm. This 3D motion-capture and CGI extravaganza combines three of Tintin's most beloved outings (The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure) and hits UK multiplexes just before the school half-term.
After discovering an elegant model of the ship the 'Unicorn' at a market, Tintin (voiced by Jamie Bell) and his loyal dog Snowy are intrigued as to why so many desire it, and comment on the secrets it holds. When the model is stolen, more information surfaces and the pair set out to discover the truth, teaming up, after a surprise meeting, with the boisterous drunkard Captain Haddock (voiced by Andy Serkis). The group's adventure spans the globe, with each destination bringing more danger and that crucial step closer towards unravelling the mystery.
From the moment the picture opens, the film's tone and mood is set: mystery and adventure merged with fun and frolics. The classy, hand-drawn, animated titles use the signature silhouette imagery with style and sophistication, making the wit and wonder evident even before audiences have graced their eyes on the monumental motion capture work.
In a rather lacklustre year for animation, with the only true blossom of beauty being Studio Ghibli's impeccable 'Arrietty', Spielberg's latest thankfully ends this dry-run with a picture that explodes with vibrancy, craftsmanship and realism. Unlike Robert Zemeckis' motion-capture entries (The Polar Express  and A Christmas Carol ); The Adventures of Tintin is an entirely different bunch of blistering blue barnacles every frame enforces impeccable detail and naturalism, and like the best animated pictures, viewers will forget they are watching digitalised representations in no time. Whether the visuals are mind-blowing as in the all-important action sequences or brilliantly subtle like the red, sweat-streaked cheeks and brows of Tintin and Haddock as they trek through a desert this film is a clear example of just how magnificent technology is in this day and age.
Without a shadow of a doubt this is the year's finest animated entry expect an Oscar nomination and a deserved win. As well as its tremendous visual flair, the feature's script is a revelation: beautifully written and whimsical dialogue that is frequently hilarious and manages to merge the three classic tales so seamlessly. Considering Hergé's stories are separate volumes, the typing trio behind this movie are able to make a sensible structure with the texts, making the film flow as gracefully as its perfect imagery. As well as the laughs, the script provides great character development for those new to the world of Tintin without insulting audiences with an hour's lesson. Young children will have no trouble picking up who's who in the early stages, before settling back for the incredible roller coaster ride of the second and climatic act.
Action fans will gain greatness from this movie too. Expect high octane chases, pirate swordplay and more bullets than a Sylvester Stallone entry just a lot less gore and swearing. In fact, although The Adventures of Tintin is action-packed, its PG certificate is justified; I cannot recall anything remotely damaging or frightening for young eyes, so parents have nothing to fear with this one when deciding on their half-term picture.
The film also sees the much needed return of composer John Williams who provides yet another dazzling and effective score. The music captures the essence of the film in an instant and compliments it throughout.
The voice casting is collectively brilliant with Bell and Serkis being the obvious standouts. Bell's inquisitive tone and frequent high-pitched bursts mirror the speech bubbles Tintin utters in the comic panels. When reading a Hergé story, this is exactly how the character sounds in your head. Serkis steals the show as Captain Haddock and is given splendid dialogue to growl through bitter Scottish chords. Haddock's often stupid remarks and forgetfulness is beautifully represented through the animated character. Daniel Craig is also fantastic as the less-than-trustworthy Ivanovich Sakharine while Simon Pegg and Nick Frost are side-splitting as the lovable policing dunces Thomson and Thompson. Plus Snowy is absolutely wonderful.
There is no doubt that Spielberg's adaptation will be top of the box office upon release and hopefully those new to Tintin will be influenced to re-visit the books and television shows of yesteryear and become more involved with one of the century's most beloved and important literary creations.
Verdict: 'The Adventures of Tintin' is quintessentially the perfect family film and has plenty to offer audiences of all ages. This is an incredibly joyous, thrilling and comically genius adventure. Hergé was onto a winner with his thoughts towards Spielberg and he can rest easy now knowing his tales have been faithfully and beautifully translated into a cinematic masterwork. Great Snakes, it's good.
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