| Photos (see all 78 | slideshow) | Videos (see all 19) |
| Michael Cera | ... | Nick | |
| Kat Dennings | ... | Norah | |
| Aaron Yoo | ... | Thom | |
| Rafi Gavron | ... | Dev | |
| Ari Graynor | ... | Caroline | |
| Alexis Dziena | ... | Tris | |
| Jonathan B. Wright | ... | Beefy Guy (Lethario) (as Jonathan Bradford Wright) | |
| Zachary Booth | ... | Gary | |
| Jay Baruchel | ... | Tal | |
| Justin Rice | ... | Bishop Allen | |
| Christian Rudder | ... | Bishop Allen | |
| Giorgio Angelini | ... | Bishop Allen | |
| Darbie Nowatka | ... | Bishop Allen | |
| Cully Symington | ... | Bishop Allen | |
| Jeremy Haines | ... | Randy (Are You Randy) | |
| Sammy Marc Rubin | ... | Sammy (Are You Randy) | |
| Glenn Kubota | ... | Korean Guy | |
| Marika Daciuk | ... | Ukrainian Waitress | |
| Marcel Simoneau | ... | Drunk Kid | |
| Seth Meyers | ... | Drunk Guy in Yugo | |
| Lorene Scafaria | ... | Drunk Girl in Yugo | |
| Billy Griffith | ... | Homeless Man | |
| Ruth Maleczech | ... | Homeless Caroline | |
| Eddie Kaye Thomas | ... | Jesus | |
| Frankie Faison | ... | Ticket Salesman | |
| Marilyn McDonald | ... | Janitor | |
| John Cho | ... | Hype Man | |
| Kevin Corrigan | ... | Man at Port Authority | |
| John Cantwell | ... | Nellie Olesons | |
| Nora Burns | ... | Nellie Olesons | |
| Eric Bernat | ... | Nellie Olesons | |
| Toney Chem | ... | Are You Randy Fan | |
| Devendra Banhart | ... | Customer in Deli | |
| rest of cast listed alphabetically: | |||
| Simon Dasher | ... | Caroline's Admirer | |
| Philip E Jones | ... | Caroline's Admirer | |
| Stephen Ananicz | ... | Concertgoer (uncredited) | |
| Steve Antonucci | ... | Hipster (uncredited) | |
| Joey Auzenne | ... | Groupie (uncredited) | |
| Michael Bennett | ... | Port Authority Passenger (uncredited) | |
| Brian Boulos | ... | Drunk guy at concert (uncredited) | |
| Stephanie Ellis | ... | Hipster (uncredited) | |
| Cassidy Gard | ... | Hipster (uncredited) | |
| Joe Giorgio | ... | Tal's Bandmate (uncredited) | |
| Kelli Mandruk | ... | Bartender (uncredited) | |
| Lance R. Marshall | ... | Hipster (uncredited) | |
| The Nellie Olesons | ... | Themselves (uncredited) | |
| Frank Pelligra | ... | Brooklyn Pool Bouncer (uncredited) | |
| Adam S. Phillips | ... | Bouncer (uncredited) | |
| R.J. Romano | ... | Tal's Bandmate (uncredited) | |
| Andy Samberg | ... | Bum (uncredited) | |
| Richard S. Sargent | ... | Groupie (uncredited) | |
| Rachel Kiri Walker | ... | Brooklyn Hipster (uncredited) | |
| C. Vincent Woodhull | ... | Hipster (uncredited) | |
Directed by | |||
| Peter Sollett | |||
Writing credits(WGA) | ||
| Lorene Scafaria | (screenplay) | |
| Rachel Cohn | (novel) & | |
| David Levithan | (novel) | |
Produced by | |||
| Adam Brightman | .... | executive producer | |
| Nicole Brown | .... | co-producer | |
| Joseph Drake | .... | executive producer | |
| Nathan Kahane | .... | executive producer | |
| Kerry Kohansky | .... | producer | |
| Kelli Konop | .... | co-producer | |
| Andrew Miano | .... | producer | |
| Chris Weitz | .... | producer | |
| Paul Weitz | .... | producer | |
Original Music by | |||
| Mark Mothersbaugh | |||
Cinematography by | |||
| Tom Richmond | |||
Film Editing by | |||
| Myron I. Kerstein | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| David Doernberg | |||
Art Direction by | |||
| Chuck Renaud | |||
Set Decoration by | |||
| Sara Parks | |||
Costume Design by | |||
| Sandra Hernandez | |||
Makeup Department | |||
| Carla Antonino | .... | additional makeup artist | |
| Julie Anna Kehoe | .... | key hair stylist | |
| Lora Scrignoli | .... | hair department head | |
| Thomas Smusz | .... | additional hair stylist | |
| Leo Won | .... | makeup department head | |
| Ande Yung | .... | key makeup artist | |
Art Department | |||
| Jeff Butcher | .... | property master | |
| Jesse Cain | .... | construction coordinator | |
| David Cooney | .... | storyboard artist | |
| Nate Green | .... | carpenter | |
| Nicholas Hill | .... | property master: additional photography | |
| Hollywood Nick Pagani | .... | picture car coordinator | |
| Molly Page | .... | assistant property master: additional photography | |
| Kimberly Slosek | .... | assistant property master | |
| Nicholas Thalhuber | .... | carpenter | |
| Phil Langone | .... | storyboard artist (uncredited) | |
| Rosalie Russino | .... | scenic artist (uncredited) | |
Sound Department | |||
| Gaston Biraben | .... | dialogue editor | |
| Damian Canelos | .... | sound mixer | |
| Anita Cannella | .... | foley artist | |
| Anthony J. Ciccolini III | .... | supervising dialogue & adr editor (as Chic Ciccolini III) | |
| Mark DeSimone | .... | adr mixer: New York | |
| Susan Dudeck | .... | supervising dialogue & adr editor | |
| Rick Gould | .... | adr recordist | |
| Eric Harwood | .... | sound recordist | |
| Amy Kane | .... | foley artist | |
| Tateum Kohut | .... | sound re-recording mixer | |
| Travis MacKay | .... | adr recordist | |
| Mike Marino | .... | foley mixer | |
| Dana McCommon | .... | adr mixer | |
| Beauxregard Neylon | .... | adr recordist | |
| Brendan Jamieson O'Brien | .... | sound utility | |
| Greg Orloff | .... | sound re-recording mixer | |
| Daniel Pagan | .... | supervising sound editor | |
| Egor Panchenko | .... | ProTools playback mixer | |
| Egor Panchenko | .... | sound utility | |
| Eryne Prine | .... | assistant sound editor | |
| Seth Tallman | .... | boom operator | |
| Seth Tallman | .... | sound mixer: second unit | |
Special Effects by | |||
| Matt Vogel | .... | special effects coordinator | |
Visual Effects by | |||
| Andy Lichtstein | .... | digital preview colorist | |
| Amy Tompkins | .... | digital intermediate editor | |
| Sebastien Betsch | .... | digital painter (uncredited) | |
Stunts | |||
| Vince Cupone | .... | stunt double | |
| Chad Hessler | .... | stunt double | |
| Cort Hessler | .... | stunt coordinator (as Cort L. Hessler III) | |
| Jery Hewitt | .... | stunts | |
| Kamuela Kim | .... | stunt double | |
Casting Department | |||
| Lauren Dickey | .... | casting assistant | |
| Barrie Golden | .... | extras casting associate | |
| Jonathan Clay Harris | .... | casting associate | |
| Kristian Sorge | .... | extras casting | |
| Allison Twardziak | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Aneikit Bonnel | .... | set costumer | |
| Sonja Cizmazia | .... | costume supervisor | |
| Estella Marie | .... | seamstress | |
| Nina Schelich | .... | assistant costume designer | |
Editorial Department | |||
| Maxine Gervais | .... | digital intermediate colorist | |
| Dale E. Grahn | .... | color timer | |
| Kate Hickey | .... | apprentice editor | |
| Jim Passon | .... | color timer | |
| Jill Piwowar | .... | assistant editor | |
| Christine Seino | .... | assistant on-line editor | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Andrew Dorfman | .... | supervising music editor | |
| Adrian Van Velsen | .... | music editor (uncredited) | |
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| Notes on a Scandal | Across the Universe | Edge of Seventeen | Mysterious Skin | Big Fish |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.
Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.
Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.
NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential a potential that is just as infinite as the playlist they are about to create together.