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Nick and Norah's Infinite Playlist (2008)

 -  Comedy | Drama | Music  -  3 October 2008 (USA)
6.7
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Ratings: 6.7/10 from 62,389 users   Metascore: 64/100
Reviews: 124 user | 163 critic | 32 from Metacritic.com

High school student Nick O'Leary, member of the Queercore band The Jerk Offs, meets college-bound Norah Silverberg when she asks him to be her boyfriend for five minutes.

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(screenplay), (novel), 1 more credit »
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Cast

Cast overview, first billed only:
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Dev
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Beefy Guy (Lethario)
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Tal
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Bishop Allen
Christian Rudder ...
Bishop Allen
Giorgio Angelini ...
Bishop Allen
Darbie Nowatka ...
Bishop Allen
Cully Symington ...
Bishop Allen
Jeremy Haines ...
Randy (Are You Randy)
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Storyline

It's been three weeks, two days, and 23 hours since Tris broke up with Nick. And now here she is at his gig, with a new guy. How could she have moved on so fast? This begins the night of Nick, Norah and Manhattan. The night of stripping nuns, hotel ice rooms, Russian food, psychotic ex-boyfriends and lovingly trashy ex-girlfriends. It's the night of Julio and Salvatore. The night of holding hands and writing songs and singing in the rain. It's a night they'll never forget. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

night | band | gay | love | wasted | See more »

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including teen drinking, sexuality, language and crude behavior | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 October 2008 (USA)  »

Also Known As:

Nick & Norah's Infinite Playlist  »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

£398,194 (UK) (30 January 2009)

Gross:

£398,194 (UK) (30 January 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Devendra Banhart:  The guy in the deli. See more »

Goofs

During the opening credits sequence, a shot of various band names can be seen when Michael Cera's credit is on-screen. The band name "The Raveonettes" is misspelled as "The Raveonettess". See more »

Quotes

Nick: I just feel like she's messing with me.
Thom: Who are you talking about?
Nick: Right now, Norah. No, Tris. Tris.
Thom: You just haven't figured it out yet, have you.
Nick: What?
Thom: ...The big picture!
Nick: I guess not.
Thom: The Beatles.
Nick: What about them?
Thom: This.
[...]
See more »

Connections

References The Thin Man (1934) See more »

Soundtracks

Speed of Sound
Written by Chris Bell (as Christopher Bell)
Performed by Chris Bell
Published by Ardent Music, LLC (ASCAP)
Courtesy of Rykodisc
By Arrangement with Warner Music Group Film & TV Licensing (p) 1992 David Bell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Sweet Tunes

On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.

Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn – not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.

Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.

NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential – a potential that is just as infinite as the playlist they are about to create together.


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