| Aaron Abrams | ... | Mitch | |
| Dave Foley | ... | John | |
| Laurie Murdoch | ... | Chuck |
Directed by | |||
| Jesse Rosensweet | |||
Writing credits(in alphabetical order) | ||
| Jesse Rosensweet | ||
Produced by | |||
| Steven Hoban | .... | producer | |
| Mark Smith | .... | co-producer | |
Original Music by | |||
| David Buchbinder | |||
Cinematography by | |||
| Jeremy Benning | |||
Film Editing by | |||
| Robert J. Coleman | |||
| Robert Crossman | |||
Production Design by | |||
| Peter Cosco | |||
Art Department | |||
| Vivienne AuYeung | .... | props | |
| Thierry Doerflinger | .... | plasterer | |
| J. Ryan Halpenny | .... | set designer | |
| Andrew Lima | .... | storyboard artist | |
| Michael Naulls | .... | props | |
| Charlotte Oh | .... | art department (as Charlotte Teunissen) | |
Sound Department | |||
| Kirk Lynds | .... | sound re-recording mixer | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Steve Medeiros | .... | sound editor | |
| Don White | .... | foley recording mixer | |
Visual Effects by | |||
| Chris Wallace | .... | digital intermediate colourist | |
| Motassem Younes | .... | digital compositor | |
Camera and Electrical Department | |||
| Eric Oh | .... | additional cinematographer | |
Animation Department | |||
| Rachelle Lambden | .... | animator | |
Editorial Department | |||
| Motassem Younes | .... | digital intermediate editor | |
Other crew | |||
| Adrian Stansfield | .... | shop coordinator | |
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| George | Mutant Factory | Neighbours | Andy in Love | Metamorphosis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Canada section |
this animated short comments on free will in modern society through the creation of an intricate machine-operated world in which the characters - impeccable re-creations of antique tin wind-up toys - are pulled along predetermined tracks.
no computer-generated gimmickry here. the puppets created for "paradise" are incredible - created using the same process that was used to make tin toys in the 1950s. 5 main puppets were built, each hand-painted with its own distinct character and hinged at key joints to allow movement. as well there are cars, bicycles, and an entire environment consisting of home, office, and suburban outdoors. the technical achievement here is amazing.
while the visual style is very different, the themes explored here are similar to rosensweet's earlier film "the stone of folly," which premiered at the cannes festival and screened at festivals around the world and is also well worth watching. both are must-sees for any fan of stop-motion animation.