| Photos (See all 15 | slideshow) | Videos (see all 7) |
| Toni Collette | ... | Mary Daisy Dinkle (voice) | |
| Philip Seymour Hoffman | ... | Max Jerry Horovitz (voice) | |
| Barry Humphries | ... | Narrator (voice) | |
| Eric Bana | ... | Damien (voice) | |
| Bethany Whitmore | ... | Young Mary (voice) | |
| Renée Geyer | ... | Vera (voice) | |
| Ian 'Molly' Meldrum | ... | Homeless Man (voice) | |
| John Flaus | ... | (voice) | |
| Julie Forsyth | ... | (voice) | |
| rest of cast listed alphabetically: | |||
| Christopher Massey | ... | Additional Voice | |
| Shaun Patten | ... | Additional Voice | |
| Carolyn Shakespeare-Allen | ... | Additional Voice | |
| Leanne Smith | ... | Additional Voice | |
| Michael Ienna | ... | Lincoln (uncredited) | |
Directed by | |||
| Adam Elliot | |||
Writing credits(in alphabetical order) | ||
| Adam Elliot | writer | |
Produced by | |||
| Iain Canning | .... | co-executive producer | |
| Melanie Coombs | .... | producer | |
| Mark Gooder | .... | executive producer | |
| Paul Hardart | .... | executive producer | |
| Tom Hardart | .... | executive producer | |
| Henry Karjalainen | .... | post-production producer | |
| Andrew Mackie | .... | co-executive producer | |
| Bryce Menzies | .... | executive producer | |
| Jonathan Page | .... | executive producer | |
| Richard Payten | .... | co-executive producer | |
| Pauline Piechota | .... | associate producer | |
| Tom Wild | .... | line producer | |
Original Music by | |||
| Dale Cornelius | |||
Cinematography by | |||
| Gerald Thompson | |||
Film Editing by | |||
| Bill Murphy | |||
Casting by | |||
| Brooke Howden | |||
Production Design by | |||
| Adam Elliot | |||
Art Direction by | |||
| Craig Fison | |||
Set Decoration by | |||
| Isabel Peppard | |||
| Claire Tennant | |||
Production Management | |||
| Bridget Callow | .... | art department production manager | |
Second Unit Director or Assistant Director | |||
| Sue Collins | .... | first assistant director | |
| Jemima Daly | .... | assistant director: continuity | |
Art Department | |||
| Daniel Agdag | .... | sets and props | |
| Michael Bazeley | .... | sets and props | |
| Darren Bell | .... | lead sculptor | |
| Darren Burgess | .... | sculptor | |
| Lindsay Cox | .... | sets and props | |
| Jonathan Daw | .... | sculptor | |
| Jonathan Daw | .... | sets and props | |
| Scott Ebdon | .... | armature | |
| Fiona Edwards | .... | plasticine colourist | |
| Roger Ferdinando | .... | sets and props | |
| Craig Fison | .... | sets and props | |
| Robert Gudan | .... | armature assistant | |
| Robert Gudan | .... | sets and props | |
| John Lewis | .... | sculptor | |
| Rob Matson | .... | sets and props | |
| Colin Moore | .... | sculptor | |
| Colin Moore | .... | sets and props | |
| Kailem Nutt | .... | lead sculptor | |
| Shaun Patten | .... | set construction manager | |
| Shaun Patten | .... | sets and props | |
| Isabel Peppard | .... | character painting | |
| Isabel Peppard | .... | sculptor | |
| Darcy Prendergast | .... | lead sculptor | |
| Darcy Prendergast | .... | sets and props | |
| Sophie Raymond | .... | sets and props | |
| Luhsun Tan | .... | model maker assistant | |
| Claire Tennant | .... | sets and props | |
Sound Department | |||
| Laurent Boudaud | .... | sound re-recording mixer | |
| Michael Carden | .... | sound effects editor | |
| Nick Foley | .... | adr recordist | |
| Rick Gould | .... | adr recordist | |
| Jason Hancock | .... | foley recordist | |
| Doron Kipen | .... | sound re-recording mixer | |
| Nick Kray | .... | adr mixer | |
| Frank Lipson | .... | sound effects editor | |
| Andrew McGrath | .... | sound re-recording mixer | |
| Erin McKimm | .... | location sound recording coordinator | |
| Erin McKimm | .... | sound editor | |
| Erin McKimm | .... | sound effects editor | |
| John Simpson | .... | foley artist | |
| Keith Thomas | .... | sound editor | |
| Peter Walker | .... | adr supervisor | |
| Peter Walker | .... | dialogue editor | |
| Peter Walker | .... | supervising sound designer | |
Special Effects by | |||
| Isabel Peppard | .... | mould maker | |
| Claire Tennant | .... | key mold maker | |
Visual Effects by | |||
| Michael Allen | .... | visual effects supervisor | |
| Darren Bell | .... | visual effects artist | |
| Giselle Hunter | .... | visual effects artist | |
| Leath Mattner | .... | visual effects artist | |
| Reece Sanders | .... | visual effects artist | |
| Curt Sundberg | .... | visual effects artist | |
Camera and Electrical Department | |||
| Glen Anderson | .... | camera engineering | |
| Jon Billington | .... | camera operator | |
| Yen Ooi Chi | .... | additional camera assistant | |
| Nic Kocher | .... | assistant camera | |
| Calista Lyon | .... | assistant camera | |
| Robin Plunkett | .... | camera operator | |
| Garry Sneesby | .... | camera engineering | |
| Benjamin P. Speth | .... | camera operator | |
| Gerald Thompson | .... | motion control design and build | |
| Scott Venner | .... | assistant camera | |
| Scott Venner | .... | motion control assistant | |
| Suzy Wood | .... | behind the scenes stills photographer | |
Animation Department | |||
| Daniel Agdag | .... | animation assistant | |
| Darren Burgess | .... | animator | |
| Lindsay Cox | .... | animation assistant | |
| Pierce Davison | .... | animation assistant | |
| Jonathan Daw | .... | animation assistant | |
| Dick Jarman | .... | animator | |
| Anthony Lawrence | .... | animator | |
| John Lewis | .... | animator | |
| Jason Lynch | .... | animator | |
| Al Oldfield | .... | animation assistant | |
| Darcy Prendergast | .... | animation assistant | |
| Sophie Raymond | .... | animation assistant | |
| Craig Ross | .... | animator | |
Editorial Department | |||
| Rachel Knowles | .... | digital intermediate producer | |
| Patrick McCabe | .... | second assistant editor | |
| Dee McClelland | .... | DI colorist | |
| Nic Smith | .... | digital intermediate technical director | |
| Glen Whelan | .... | first assistant editor | |
Music Department | |||
| Dale Cornelius | .... | music editor | |
| Will Larsen | .... | arranger | |
| Will Larsen | .... | conductor | |
| Will Larsen | .... | music editor | |
| Leanne Smith | .... | music supervisor | |
Other crew | |||
| Stephen Carroll | .... | production runner | |
| Melanie Etchell | .... | title design | |
| Samantha Fitzgerald | .... | assistant: mr elliot | |
| Monika Gehrt | .... | production accountant | |
| Lynn Johnson | .... | caterer | |
| Anna Kaplan | .... | set/prop librarian | |
| Stella Kinsella | .... | set/prop librarian | |
| Anthony Lawrence | .... | mould maker | |
| John Lewis | .... | mould maker | |
| Jason Lynch | .... | on-set nurse | |
| Patrick McCabe | .... | digital post production assistant | |
| Patrick McCabe | .... | first aid officer | |
| Bryce Menzies | .... | legal services: Marshalls & Dent | |
| Shaun Miller | .... | legal services: Marshalls & Dent | |
| Isabel Peppard | .... | mould maker | |
| Elvis Pramod | .... | additional production assistant | |
| Leanne Smith | .... | producers associate | |
| Claire Tennant | .... | mould maker | |
| Rita Walsh | .... | set/prop librarian | |
| Bree Whitford | .... | digital post production assistant | |
Thanks | |||
| Scott Meek | .... | thanks | |
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| Kings & Queen | In Her Shoes | Running with Scissors | Day of the Wacko | Muriel's Wedding |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Animation section |
| IMDb Australia section |
Coming from Australia, Mary and Max is one of these few films you'll remember all your life. This amazing claymation touches upon an unlikely friendship between two pen pals: a young girl living in Australia and an aging Jew from New York. It's unbelievable what a precisely structured narrative this is. Director-writer Adam Elliot blends odd scatological, yet clever humour with poignant dramatizations to a splendid effect creating one of the best tragicomedies of the past few years. The fact that it's in the form of claymation only helps to enhance uniqueness of the whole experience. The movie was 5 years in the making and this is visible in its every frame. Elliot masterly captures the motion in an endlessly creative manner. Most importantly though, his lovably oddball characters are well developed and admirably complex with all their awkward traits and quirks. Due to its serious themes and dark tone, Mary and Max is an adult movie aiming much higher than its big studio counterparts. It happens to be more contemplative, and intelligent mimicking the real life with all its ups and downs. Calling Elliot's movie an extraordinary piece of art is certainly not an overstatement.