After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face? Written by
An exhibit of artefacts and clips from the film were presented in France and Australia. In France the exhibition was hosted by Gaumont as part of the release. In Australia initially at the Australian Centre for the Moving Image for three months starting in March 2010 and then touring around Australia throughout 2010/2011. See more »
When Max is in the hospital, the sign over his bed says "Nil By Mouth," a medical instruction which, while routine in Commonwealth nations, is unknown in the US. See more »
Mary Dinkle's eyes were the color of muddy puddles. Her birthmark, the color of poo.
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Before the end credits the next quote appears: "God gave us our relatives; thank God we can choose our friends" by Ethel Watts Mumford. See more »
by Elena Kats-Chernin is used by permission of Hal Leonard Astralia Pty. Ltd. exclusive agents for Boosey & Hawkes Music Publishers Lts. of London
Performed by Sydney Alpha Ensemble
Conducted by David Stanhope
Licensed courtesy of Asutralian Broadcasting Corporation See more »
It's a genuine celebration of the value of difference.
Oscar winning (and proudly gay) animation artist Adam Elliot's acclaimed clay-mation feature film "Mary & Max" is astoundingly rewarding wonderful entertainment on the big screen.
It's an intriguing tale, starting in the mid seventies, of the ongoing true friendship of two long distance pen-pals, younger Mary in rural Australia and older Max in the rat-race of New York City. A significant element of the story involves Max's experience of living with Asperger Syndrome, knowing painfully full well that he senses the world in a radically different way to most. I've never seen any other project deal so honestly and powerfully with that condition. It's a genuine celebration of the value of difference.
There's lots to laugh and think about - and the attention to detail is staggering. Australia's living legend Barry Humphries excels as the narrator.
I loved the soundtrack which strongly featured two of my favourite Penguin Cafe Orchestra compositions. I've ordered the soundtrack CD already.
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