A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.
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Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Director:
Thomas McCarthy
Stars:
Peter Dinklage,
Paul Benjamin,
Bobby Cannavale
15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
Director:
Richard Ayoade
Stars:
Noah Taylor,
Paddy Considine,
Craig Roberts
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Director:
Liev Schreiber
Stars:
Eugene Hutz,
Elijah Wood,
Jonathan Safran Foer
In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, living alone in New York, overweight, subject to anxiety attacks. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face? Written by
<jhailey@hotmail.com>
The street, Lamington Drive, is a play on words: Lamingtons are an Australian cake. They are sometimes used in fund-raising activities by schools and other organizations, whereby they are sold in bulk. Such activities are referred to as 'Lamington Drives'. See more »
Goofs
When Max is in the hospital, the sign over his bed says "Nil By Mouth," a medical instruction which, while routine in Commonwealth nations, is unknown in the US. See more »
Quotes
Narrator:
Max knew nothing about love. It was as foreign to him as a salad sandwich.
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Crazy Credits
Before the end credits the next quote appears: "God gave us our relatives; thank God we can choose our friends" by Ethel Watts Mumford. See more »
Connections
References Breakfast at Tiffany's (1961)
One of the smokers that drops butts and annoys Max, is a parody of Audrey Hepburn from this film.
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Soundtracks
"Perpetuum Mobile"
Composed by Simon Jeffes
Published by Editions Penguin Café Ltd
Performed by Penguin Cafe Orchestra (as Penguin Café Orchestra)
Courtesy of Virgin Records Ltd
Under license from EMI Music Australia Pty Limited. See more »
It's hard to describe just how excellent this film is. The story is great, both very funny and touching. The art-design and animation are a delight, thoughtful, very rich in details, and very consistent in style. The music is great. The storyline and direction... I can't find a bad word to say, except that the story drags a little half- way through, but then picks itself up again toward the end. Truly, a must-see. If you like adult animation, this is definitely for you. I agree with those comparing it to Aardman films, Waltz with Bashir and Persepolis, but this movie's animation is so professional, that only Aardman truly compares.
68 of 86 people found this review helpful.
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It's hard to describe just how excellent this film is. The story is great, both very funny and touching. The art-design and animation are a delight, thoughtful, very rich in details, and very consistent in style. The music is great. The storyline and direction... I can't find a bad word to say, except that the story drags a little half- way through, but then picks itself up again toward the end. Truly, a must-see. If you like adult animation, this is definitely for you. I agree with those comparing it to Aardman films, Waltz with Bashir and Persepolis, but this movie's animation is so professional, that only Aardman truly compares.