A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Jonathan Safran Foer
In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, living alone in New York, overweight, subject to anxiety attacks. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face? Written by
This is the very first animated film to open for the Sundance Film Festival. See more »
In the U.S., a can with the label "tinned spaghetti" is shown. While this wording would be used in Australia, it is rather unlikely in the U.S., where "canned spaghetti" would be the preferred term. See more »
It's hard to describe just how excellent this film is. The story is great, both very funny and touching. The art-design and animation are a delight, thoughtful, very rich in details, and very consistent in style. The music is great. The storyline and direction... I can't find a bad word to say, except that the story drags a little half- way through, but then picks itself up again toward the end. Truly, a must-see. If you like adult animation, this is definitely for you. I agree with those comparing it to Aardman films, Waltz with Bashir and Persepolis, but this movie's animation is so professional, that only Aardman truly compares.
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