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Mary and Max (2009)

Not Rated  |   |  Animation, Comedy, Drama  |  9 April 2009 (Australia)
8.2
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Ratings: 8.2/10 from 98,680 users  
Reviews: 156 user | 161 critic

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

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Cast

Complete credited cast:
...
...
...
Narrator (voice)
...
Damien (voice)
...
Young Mary (voice)
Renée Geyer ...
Vera (voice)
Ian 'Molly' Meldrum ...
Homeless Man (voice)
John Flaus ...
(voice)
Julie Forsyth ...
(voice)
Rest of cast listed alphabetically:
...
Additional Voice
Shaun Patten ...
Additional Voice
Carolyn Shakespeare-Allen ...
Additional Voice
...
Additional Voice
Edit

Storyline

In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Two unlikely people. Two different worlds come together in a story about a most unusual friendship. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 April 2009 (Australia)  »

Also Known As:

Mary & Max  »

Filming Locations:


Box Office

Budget:

AUD 8,240,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Principal photography lasted over 57 weeks, using 133 separate sets, 212 puppets, and 475 miniature props, including a fully functional Underwood typewriter. This took 9 weeks to design and build. See more »

Goofs

While Max is typing on the typewriter, many times the carriage moves in opposite directions. But while typing the carriage should move only from right to left. See more »

Quotes

[first lines]
Narrator: Mary Dinkle's eyes were the color of muddy puddles. Her birthmark, the color of poo.
See more »

Crazy Credits

Before the end credits the next quote appears: "God gave us our relatives; thank God we can choose our friends" by Ethel Watts Mumford. See more »

Connections

References The Man Who Knew Too Much (1956) See more »

Soundtracks

Zorba's Dance
Composed by Mikis Theodorakis
© 1965 EMI Miller Catlog Inc. All rights admin. & licensd by EMI Catalogue Patrnership Australia Pty Ltd.
Performed by The London Pops Orchestra
Conducted by Nelson Corbin
Courtesy of Hindsight Records
See more »

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User Reviews

 
Mary & Max - wonderfully unique and personal animation
14 April 2009 | by (Australia) – See all my reviews

There's a constant stream of animated films these days, but mostly they're either glossy Hollywood product (Pixar/Dreamworks), or Japanese anime. For adults wanting something different we have to wait for the likes of The Nightmare Before Christmas, Waltz With Bashir, Persepolis, or Aardman's films to turn up. Mary & Max is one of these films that comes as a complete departure from all the others, both in visual and storytelling style, and sticks in the mind because of it. I won't repeat the plot here, so I'll just mention a few pros and cons. The cons are obvious. Some people will be put off by the almost constant narration (which took me a while to get used to), the rather numerous calamities (a lot more than you'd expect if you thought this was just a kids film), and the sadness within some of these people's stories. It's actually a little surprising that the film got made without the people financing it demanding a script that was more tailored to appeal to a wider audience. What we get is something that feels a whole lot more personal than the higher profile animated films. It feels personal, and therefore real, and the explanation is that it was written from life by a director who has a real feeling and sympathy for people who don't quite fit into the world, and feel alienated or are misunderstood by others. Mary was partly inspired by the director's own childhood (and there's a little bit of Toni Collette's Muriel Heslop thrown in I suspect), and Max is also based on a real person he's been pen friends with (but so far has never met in person). The way the film handles his Asperger's Syndrome just feels different to how you'd normally see such an issue handled on screen. There's a constant stream of humour (ironic, black, childish), and I really enjoyed the small perfect touches on growing up in an Australian suburb in the 70's and 80's, and the depiction of grey New York, as it appears to the easily frightened Max. The animation is constantly a joy to watch, and I highly recommend seeing it on the big screen where it can be properly appreciated in all it's hand-made glory.


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