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Directed by | |||
| Doug Liman | |||
Writing credits(WGA) | ||
| Jez Butterworth | (screenplay) & | |
| John-Henry Butterworth | (screenplay) | |
| Joseph Wilson | (book "The Politics of Truth: Inside the Lies that Led to War and Betrayed My Wife's CIA Identity: A Diplomat's Memoir") | |
| Valerie Plame Wilson | (book "Fair Game: My Life as a Spy, My Betrayal by the White House") (as Valerie Plame) | |
Produced by | |||
| Mohamed Khalaf Al-Mazrouei | .... | executive producer (as Mohammed Khalaf) | |
| David Bartis | .... | executive producer | |
| Jez Butterworth | .... | producer | |
| Gerry Robert Byrne | .... | associate producer | |
| Wesam Seif Elislam | .... | line producer: Egypt | |
| Kerry Foster | .... | executive producer | |
| Sean Gesell | .... | associate producer | |
| Bruce Wayne Gillies | .... | line producer: additional photography | |
| Akiva Goldsman | .... | producer | |
| Anadil Hossain | .... | line producer: international unit | |
| Doug Liman | .... | producer | |
| Avram Ludwig | .... | co-producer | |
| Bill Pohlad | .... | producer | |
| David Sigal | .... | co-producer | |
| Jeff Skoll | .... | executive producer | |
| Mari-Jo Winkler | .... | executive producer (as Mari Jo Winkler-Ioffreda) | |
| Kim H. Winther | .... | co-producer (as Kim Winther) | |
| Janet Zucker | .... | producer | |
| Jerry Zucker | .... | producer | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Doug Liman | (director of photography) | ||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| Kevin Bird | |||
Set Decoration by | |||
| Ibrahim Khorma | |||
| Sara Parks | |||
| Mohammed-Karim Shehabi | (uncredited) | ||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Michal Bigger | .... | makeup department head | |
| Lisa Hazell | .... | hair stylist | |
| Amanda Miller | .... | key hair stylist | |
| Amanda Miller | .... | wig maker | |
Production Management | |||
| Mohammed Altelbany | .... | production manager | |
| David Bausch | .... | production supervisor | |
| Driss Benyaklef | .... | production supervisor: international unit | |
| Brian Buckland | .... | additional production supervisor | |
| Gerry Robert Byrne | .... | post-production supervisor | |
| Sean Garrett Fogel | .... | assistant unit manager (as Sean Fogel) | |
| Frank Hildebrand | .... | executive in charge of production | |
| Issam M. Husseini | .... | production manager: Jordan | |
| Daniel Sa'd | .... | assistant production manager: Jordan | |
| Pat Singh | .... | production manager: Malasia | |
Second Unit Director or Assistant Director | |||
| Joseph Aspromonti | .... | second second assistant director | |
| Kate Bogle | .... | additional second assistant director | |
| Taha El Hakem | .... | assistant director: Egypt Team | |
| Taha El Hakem | .... | trainee assistant director | |
| Marc Garland | .... | key second assistant director: pre-production photography | |
| K.K. Hareb | .... | second second assistant director | |
| Yanal Kassay | .... | second assistant director | |
| Kim H. Winther | .... | first assistant director | |
| Eric Yellin | .... | key second assistant director | |
Sound Department | |||
| Bob Chefalas | .... | sound re-recording mixer | |
| Rick Chefalas | .... | first assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Dani Fontrodona | .... | location adr | |
| Michael Fowler | .... | adr recordist | |
| Mark Goodermote | .... | boom operator | |
| Falah Hannoun | .... | sound assistant | |
| Ruth Hernandez | .... | adr editor | |
| Bret Johnson | .... | sound re-recordist | |
| Dan Korintus | .... | dialogue editor | |
| Drew Kunin | .... | sound mixer | |
| George A. Lara | .... | foley mixer | |
| Michael Miller | .... | adr mixer | |
| Beauxregard Neylon | .... | adr mixer | |
| Jordan O'Neill | .... | Datasat Sound Mastering Engineer | |
| Jan Petrov | .... | adr recordist | |
| Lisa Pinero | .... | sound mixer: additional photography | |
| Paul Pouthier | .... | utility sound | |
| David Raymond | .... | boom operator: additional photography | |
| Jac Rubenstein | .... | dialogue editor | |
| Wyatt Sprague | .... | sound effects editor | |
| Paul Tirone | .... | adr recordist | |
| Paul Tirone | .... | sound re-recordist | |
| Paul Urmson | .... | supervising sound editor and re-recording mixer | |
| Steven Visscher | .... | supervising foley editor | |
| Laura Vitale | .... | sound intern | |
| Rabb Whitehead | .... | adr recordist | |
| Zach Wrobel | .... | sound utility: additional photography | |
| Lawrence Zipf | .... | apprentice sound editor | |
| Rick Santizo | .... | commentary mixer (uncredited) | |
| Alex Thong | .... | sound assistant: Malaysia (uncredited) | |
Special Effects by | |||
| Karim El Fassi | .... | special effects assistant | |
| Ken Goodstein | .... | special effects technician | |
| Muhannad Halawani | .... | special effects assistant | |
Visual Effects by | |||
| Bryan Baker | .... | vfx editor: dive | |
| Tim Bowman | .... | digital compositor | |
| Shannan Burkley | .... | matte painter | |
| Eileen Dare | .... | visual effects coordinator: DIVE | |
| Joseph DiValerio | .... | visual effects supervisor | |
| Jeremy Fernsler | .... | digital effects artist: DIVE | |
| Frank Fieser | .... | visual effects | |
| Mark O. Forker | .... | visual effects consultant: DIVE | |
| Michael Furey | .... | digital compositor | |
| Raymond Lei Jin | .... | matte painter (as Lei Jin) | |
| Nick Jushchyshyn | .... | matchmove artist: Dive | |
| Bob Lowery | .... | visual effects executive producer: Dive | |
| Christina Mitrotti | .... | visual effects | |
| Anton Moss | .... | digital effects artist: DIVE | |
| Robert Pyle | .... | technical support: DIVE | |
| Ruben Rodas | .... | paint/roto artist: Dive | |
| Crystle Schrecengost | .... | paint/roto artist | |
| Peter Sidoriak | .... | digital compositor | |
| Tommy Williamson | .... | digital compositor (as Tom Williamson) | |
| Max Gabl | .... | matte artist (uncredited) | |
| Ed Mendez | .... | digital effects supervisor: Dive (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| Anthony Vincent | .... | stunts | |
Casting Department | |||
| Bader Alami | .... | casting assistant | |
| Lara Atalla | .... | casting | |
| Tineka Becker | .... | casting associate | |
| Kathryn Calogero | .... | casting assistant | |
| Ronen Gevint | .... | background casting associate | |
| Tricia Homer | .... | additional casting | |
| Tess Joseph | .... | casting: india | |
| Suzanne Kang | .... | extras casting | |
Costume and Wardrobe Department | |||
| Gina Battoglia | .... | costume production assistant | |
| Sarah Mae Burton | .... | costume coordinator | |
| Jody Felz | .... | costumer | |
| Linda Giammarese | .... | additional set costumer | |
| Felicity Gifford | .... | set costumer | |
| Karma Hijjawi | .... | wardrobe supervisor | |
| Alethea McElroy | .... | set costumer | |
| Hilary Niederer | .... | assistant costume designer: international unit | |
| Remy Pearce | .... | costume shopper | |
| Amy Pickering | .... | wardrobe supervisor | |
| Lydia Popper | .... | costume production assistant | |
| Laura Sewrey | .... | assistant costume designer | |
| Wade Sullivan | .... | costume production assistant (uncredited) | |
Editorial Department | |||
| Johnny Adams | .... | digital lab | |
| Milan Boncich | .... | colorist | |
| Julie Carr | .... | first assistant editor | |
| Josh Chertoff | .... | editorial assistant | |
| Peter Frelik | .... | assistant editor | |
| Jim Geduldick | .... | digital intermediate editor | |
| Kevin Kaim | .... | digital lab | |
| Saar Klein | .... | additional editor | |
| Megan Marquis | .... | digital intermediate coordinator (as Megan Milnes) | |
| Chris Massi | .... | editorial assistant | |
| Jason Matthews | .... | post-production technician | |
| Jeremiah O'Driscoll | .... | additional editor | |
| Benjamin Moses Smith | .... | digital intermediate conform editor | |
| Lance Spindler | .... | color timer | |
Music Department | |||
| John Barrett | .... | assistant scoring engineer | |
| Mark Berrow | .... | musician: violin | |
| Brent Brooks | .... | music editor | |
| Thomas A. Carlson | .... | music editor | |
| Beth Caucci | .... | sound programmer | |
| Chris Clad | .... | violin | |
| Germaine Franco | .... | orchestrator | |
| Gavin Greenaway | .... | conductor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Julianne Jordan | .... | music supervisor | |
| Paul Katz | .... | music consultant | |
| Annette Kudrak | .... | music editor | |
| Steve Mair | .... | musician: double bass | |
| Michael John Mollo | .... | additional music arranger | |
| Michael John Mollo | .... | music programmer | |
| Michael John Mollo | .... | orchestrator: midi | |
| Paul Mounsey | .... | composer: additional music | |
| Jessica Neilson | .... | music coordinator | |
| John Ashton Thomas | .... | orchestrator | |
| John Traunwieser | .... | score production assistant | |
| Jessica Wells | .... | music preparation | |
| Bruce White | .... | viola | |
Transportation Department | |||
| Matthew Ballard | .... | transportation coordinator: additional photography | |
| Robin Monaghan | .... | driver | |
| Timothy Paustian | .... | transportation captain | |
| Thomas Reilly | .... | transportation co-captain | |
| Scott Roth | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
"Fair Game" is a film directed by Doug Liman ("The Bourne Identity," "Mr. and Mrs. Smith") based on the memoir "Fair Game: My Life as a Spy, My Betrayal by the White House" by Valerie Plame. Sean Penn is back after taking a two-year acting break since his second Best Acting Oscar for "Milk" in 2008. He plays the character of Politician Joe Wilson alongside Naomi Watts' portrayal of CIA agent Valerie Plame. Together these two tell the true story behind the weapons of mass destruction scare in 2002 and 2003 in Iraq that ultimately lead the United States to war. Valerie Plame is in the middle of the investigation of WMDs in Iraq. In order to learn more about the possible WMDs the government has Valerie's husband Joe travel as an ambassador to Niger in order to get information about the sale of uranium from Niger to Iraq. Joe learns that there is not going to be a sale but the government twists the story. After viewing the State of the Union Address Joe Wilson decides to write an article in the New York Times stating the truth behind what he found in Niger challenging the White House directly. In response, the government declassifies Valerie's status as a CIA agent making her "Fair Game" and putting her directly in the public eye in order to bring shame to her husband and her family. This sparks a fire within Joe to fight the White House, but also begins to tear him and his wife apart.
"Fair Game" allows Naomi Watts and Sean Penn to let loose and take over the screen with their acting talents. Watts doe a very good job with her role portrayal of hard shelled Valerie Plame. She is able to create the stubborn exterior of Plame while showing her emotional side deep within. Congratulations is in order for her being able to stand out while on screen with Hollywood superstar and Academy favorite Sean Penn. All of the talk about the film has been directed towards Watts as Oscar season approaches, but it would be no surprise if Penn receives an Oscar birth as well. He is phenomenal in the film creating a very unique character breaking through the clichés that could have been. Both of these actors are able to give the film heart and show the strength that the couple had in order to fight the corrupt government sector leading to the fall of Scooter Libby.
The film is slow to start as the back story is built however, while the characters of Valerie Plame and Joe Wilson are developed completely all of the other characters seem to be left behind. They come off as just walking through the motions making it very hard to connect and differentiate between them. This can be attributed to one of two things. Either the acting is less than adequate, or there are so many characters that Watts interacts with at the CIA it are hard to put a name with any of the faces.
"Fair Game" is a political thriller that needed to be made. However, it is your job as the audience to reach out and see it because of its limited film release. Go see it now in order to learn about the story and note that a Best Picture Oscar nomination may be waiting for this dark horse of this year's award season.